"Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble)" by Camille Saint-Saëns, Sheku Kanneh-Mason, Katherine Thomas, CBSO Cellos was released on November 6, 2017. The duration of Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble)'s duration is considered a little bit shorter than the average duration of a typical track. Since Saint-Saëns: Le Carnaval des animaux, R.125 - 13. The Swan (Arr. Cello, Harp & Ensemble) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble) by Camille Saint-Saëns, Sheku Kanneh-Mason, Katherine Thomas, CBSO Cellos having a テンポ of 69 with a half-time of 34 テンポ and a double-time of 138 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Valery Gergiev, Wiener Philharmoniker | F Major | 1 | 7B | 84 BPM | ||
Chopin: Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Dong Hyek Lim | D♭ Major | 0 | 3B | 67 BPM | ||
No Woman, No Cry (Arr. Kanneh-Mason) | Sheku Kanneh-Mason | D Major | 0 | 10B | 80 BPM | ||
3 Spirituals for Orchestra: No. 2. Kum Bab Yah | Adolphus Hailstork, Virginia Symphony Orchestra, Joann Falletta | D Minor | 0 | 7A | 140 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Estrellita | Manuel Ponce, Nikolaj Znaider | F♯ Major | 1 | 2B | 103 BPM | ||
Dreamland - Solo Piano Version | Alexis Ffrench | E♭ Major | 1 | 5B | 168 BPM | ||
The Lark Ascending: I. Andante sostenuto | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | E Minor | 0 | 9A | 91 BPM | ||
Lieder ohne Worte, Book 2, Op. 30: No. 6 in F-Sharp Minor, MWV U110 "Venetianisches Gondelleid" | Felix Mendelssohn, Denis Kozhukhin | F♯ Minor | 0 | 11A | 67 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM |