J. S. Bach: Matthäus-Passion/Zweiter Teil/O Haupt voll Blut und Wunden (Choral)
- テンポ
- 74
- キー
- F Major
- キャメロットミュージックキー
- 7B
J. S. Bach: Matthäus-Passion/Zweiter Teil/O Haupt voll Blut und Wunden (Choral) - Gewandhausorchester Leipzig, Dresdner Kreuzchor, Erhard Mauersberger, Rudolf Mauersberger, Thomanerchor Leipzig 情報
- 音響性
- 97%
- ダンサビリティ
- 24%
- エネルギー
- 17%
- 手段性
- 40%
- 活気
- 21%
- ラウドネス
- 66%
- 話し言葉
- 3%
- 価数
- 9%
- 人気
- 15%
- ラウドネス
- -20.254 dB
まとめ
"J. S. Bach: Matthäus-Passion/Zweiter Teil/O Haupt voll Blut und Wunden (Choral)" by Gewandhausorchester Leipzig, Dresdner Kreuzchor, Erhard Mauersberger, Rudolf Mauersberger, Thomanerchor Leipzig was released on 1975. The duration of J. S. Bach: Matthäus-Passion/Zweiter Teil/O Haupt voll Blut und Wunden (Choral) is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. J. S. Bach: Matthäus-Passion/Zweiter Teil/O Haupt voll Blut und Wunden (Choral)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gewandhausorchester Leipzig's "Johann Sebastian Bach: Matthäus-Passion" album is number 54 out of 68. J. S. Bach: Matthäus-Passion/Zweiter Teil/O Haupt voll Blut und Wunden (Choral) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
J. S. Bach: Matthäus-Passion/Zweiter Teil/O Haupt voll Blut und Wunden (Choral) テンポ
We consider the tempo marking of J. S. Bach: Matthäus-Passion/Zweiter Teil/O Haupt voll Blut und Wunden (Choral) by Gewandhausorchester Leipzig, Dresdner Kreuzchor, Erhard Mauersberger, Rudolf Mauersberger, Thomanerchor Leipzig to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
J. S. Bach: Matthäus-Passion/Zweiter Teil/O Haupt voll Blut und Wunden (Choral) キー
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
おすすめの曲
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846 | Lang Lang | C Major | 1 | 8B | 134 BPM | |
 | Matthäus-Passion, BWV 244, Erster Teil: 11. Evangelista, Jesus, Judas "Er antwortete und sprach" | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Frits Vanhulle, Ian Bostridge, Franz-Joseph Selig | D♭ Minor | 1 | 12A | 88 BPM | |
 | Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : I. Allegro | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Christine Pichlmeier, Lucas Barr, Antonio Vivaldi | B Minor | 3 | 10A | 118 BPM | |
 | Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | |
 | Concerto in G minor, after unknown, BWV 983: Adagio | Ivo Janssen | G Minor | 0 | 6A | 72 BPM | |
 | Bach, JS: Concerto for 3 Keyboards in D Minor, BWV 1063: II. Alla siciliana | Johann Sebastian Bach, Michel Dalberto, Anne Queffélec, Pascal Devoyon, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D♭ Major | 1 | 3B | 121 BPM | |
 | Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | |
 | Concerto for violin and oboe in C Minor, BWV 1060R: III. Allegro | Johann Sebastian Bach, Isabelle Faust, Xenia Löffler, Akademie für Alte Musik Berlin, Bernhard Forck | B Minor | 4 | 10A | 120 BPM | |
 | Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | |
 | The Well-Tempered Clavier: Book I, BWV 846-869: I. Prelude | Johann Sebastian Bach, Pierre-Laurent Aimard | B Minor | 0 | 10A | 95 BPM |
- ISRC
- This song does not have an ISRC.
- レコードレーベル
- L-M Records/RCA Records