"Te Deum, WAB 45: I. Te Deum laudamus" by Anton Bruckner, Anna Tomowa-Sintow, Agnes Baltsa, Peter Schreier, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein, Rudolf Scholz was released on August 28, 2022. Since Te Deum, WAB 45: I. Te Deum laudamus is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Anton Bruckner's "Listening to Bruckner" album is number 58 out of 152. On top of that, Germany appears to be the country where this track was created. Te Deum, WAB 45: I. Te Deum laudamus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Te Deum, WAB 45: I. Te Deum laudamus by Anton Bruckner, Anna Tomowa-Sintow, Agnes Baltsa, Peter Schreier, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein, Rudolf Scholz to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Quoniam | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | B♭ Minor | 1 | 3A | 85 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 3. Scherzo | Robert Schumann, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 125 BPM | ||
Stabat Mater, FP 148: 5. Quis est homo | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A Minor | 3 | 8A | 97 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 3, Song with Chorus. "Ye Spotted Snakes" | Felix Mendelssohn, Otto Klemperer, Heather Harper, Janet Baker, Philharmonia Chorus, Philharmonia Orchestra | G Major | 0 | 9B | 94 BPM | ||
German Requiem, Op. 45: Denn wir haben hie keine bleibende Statt | Johannes Brahms, London Symphony Orchestra, Valery Gergiev, Christopher Maltman, London Symphony Chorus | E♭ Major | 0 | 5B | 98 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 100 BPM | ||
Stabat Mater: 9. Sancta Mater | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | B♭ Major | 1 | 6B | 115 BPM | ||
Parsifal, WWV 111 / Act III: Höchsten Heiles Wunder! ... Erlösung dem Erlöser! | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | D Major | 0 | 10B | 136 BPM | ||
Fantasia No. 4 in F Major. Langsam | Anton Bruckner, Francesco Pasqualotto | F Major | 0 | 7B | 85 BPM | ||
Requiem In D Minor, K.626: 7. Agnus Dei | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan, Wolfgang Meyer, Wiener Singverein | F Major | 1 | 7B | 81 BPM |