"Chopin: Nocturne No. 1 in B-Flat Minor, Op. 9 No. 1" by Frédéric Chopin, Arthur Rubinstein was released on February 5, 1999. With this song being about 5 minutes long, at 4:56, "Chopin: Nocturne No. 1 in B-Flat Minor, Op. 9 No. 1" by Frédéric Chopin, Arthur Rubinstein is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "The Legendary Rubinstein". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Chopin: Nocturne No. 1 in B-Flat Minor, Op. 9 No. 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Chopin: Nocturne No. 1 in B-Flat Minor, Op. 9 No. 1 by Frédéric Chopin, Arthur Rubinstein having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 66 in G Major, Op. 77, No. 1, Hob.III:81, "Lobkowitz": I. Allegro moderato | Joseph Haydn, Kodály Quartet | D Major | 1 | 10B | 91 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Nocturnes, Op. 37: No. 1 | Arthur Rubinstein | E♭ Major | 0 | 5B | 81 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Nocturne No.20 in C sharp minor, Op.posth. | Frédéric Chopin, Nikita Magaloff | D♭ Minor | 0 | 12A | 172 BPM | ||
Thaïs: Méditation (Arr. for Cello & Piano) | Jules Massenet, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 80 BPM | ||
Sonata in F Minor, L. 118 | Domenico Scarlatti, Vladimir Horowitz | D Major | 1 | 10B | 146 BPM | ||
No. 3 in G-Sharp Minor, "La Campanella" | Franz Liszt, Patrick Rapold | A♭ Major | 4 | 4B | 92 BPM | ||
Waltz No. 9 in A-Flat Major, Op. 69 No. 1 "The Farewell" | Pamela Howland | A♭ Major | 0 | 4B | 85 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM |