"String Quartet No. 66 in G Major, Op. 77, No. 1, Hob.III:81, "Lobkowitz": I. Allegro moderato" by Joseph Haydn, Kodály Quartet was released on June 1, 1995. Since String Quartet No. 66 in G Major, Op. 77, No. 1, Hob.III:81, "Lobkowitz": I. Allegro moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joseph Haydn's "Haydn: String Quartets Op. 77, Nos. 1- 2" album is number 1 out of 8. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, String Quartet No. 66 in G Major, Op. 77, No. 1, Hob.III:81, "Lobkowitz": I. Allegro moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet No. 66 in G Major, Op. 77, No. 1, Hob.III:81, "Lobkowitz": I. Allegro moderato by Joseph Haydn, Kodály Quartet to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
String Quartet No. 30 in E-Flat Major, Op. 33 No. 2, Hob. III:38 "The Joke": I. Allegro moderato | Franz Joseph Haydn, Spektral Quartet | E♭ Major | 2 | 5B | 99 BPM | ||
Klavierquintett f-Moll, Op. 34: I. Allegro non troppo | Johannes Brahms, Kodály Quartet, Jenő Jandó | D♭ Major | 1 | 3B | 124 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
String Quintet in G Major, Op. 77: II. Scherzo. Allegro vivace - Trio | Antonín Dvořák, Berlin Philharmonic String Quintet | B Major | 1 | 1B | 101 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | E Major | 1 | 12B | 83 BPM | ||
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Boccherini: Cello Concerto No. 7 in G Major, G. 480: I. Allegro | Luigi Boccherini, Steven Isserlis, Ostrobothnian Chamber Orchestra, Juha Kangas | F Major | 5 | 7B | 107 BPM |