Antonio Salieri, Orchestre d’Astarac's 'De profundis in G Minor, IAS. 13' came out on May 15, 2021. The duration of De profundis in G Minor, IAS. 13 is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. De profundis in G Minor, IAS. 13's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 7 in the song's album "Salieri: Mors Vita Alicia Est Scriptor". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, De profundis in G Minor, IAS. 13's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With De profundis in G Minor, IAS. 13 by Antonio Salieri, Orchestre d’Astarac having a テンポ of 139 with a half-time of 70 テンポ and a double-time of 278 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Danaïdes, Acte III Scène 1: Air de danse (5) | Antonio Salieri, Les Chantres du Centre de Musique Baroque de Versailles, Olivier Schneebeli, Les Talens Lyriques, Christophe Rousset | A Major | 3 | 11B | 95 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 35: II. Andante | Lawfame Violin | G Major | 1 | 9B | 173 BPM | ||
Rêve (Version for String Quintet) | Alfredo D'Ambrosio, Archos Quartet, Mio Tamayama | E♭ Major | 1 | 5B | 72 BPM | ||
Classical Tradition | Brian Gulland, Fiachra Trench, The KPM Orchestra | D Major | 0 | 10B | 125 BPM | ||
Used to Myself | Ria Mbanefo | B♭ Major | 2 | 6B | 134 BPM | ||
The Beginning | E-AnyxlOne | C Minor | 2 | 5A | 143 BPM | ||
Liars Go to Hell | Hollers Gang | D♭ Minor | 1 | 12A | 98 BPM | ||
La bola de cristal | Juan Pablo Fernández Ramos | G Minor | 1 | 6A | 80 BPM | ||
Toothless In Love (2m6a) | John Powell | B♭ Major | 2 | 6B | 95 BPM | ||
Capriol Suite: I. Basse-danse | Peter Warlock, Büyükada Ensemble, James Ross | A Minor | 1 | 8A | 74 BPM |