"The Unforgettable Year 1919 Suite, Op. 89a: Romance (Meeting Of Shibayev With Katya)" by Lev Atovmyan, Ellena Alekseyeva, Moscow Symphony Orchestra, Dmitri Shostakovich was released on December 18, 2002. With this song being about 5 minutes long, at 4:51, "The Unforgettable Year 1919 Suite, Op. 89a: Romance (Meeting Of Shibayev With Katya)" by Lev Atovmyan, Ellena Alekseyeva, Moscow Symphony Orchestra, Dmitri Shostakovich is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 23 in the song's album "SHOSTAKOVICH: Fall of Berlin (The) / The Unforgettable Year 1919 Suite". In this album, this song's track order is #18. The Unforgettable Year 1919 Suite, Op. 89a: Romance (Meeting Of Shibayev With Katya) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Unforgettable Year 1919 Suite, Op. 89a: Romance (Meeting Of Shibayev With Katya) by Lev Atovmyan, Ellena Alekseyeva, Moscow Symphony Orchestra, Dmitri Shostakovich having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I. Basse-Danse | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 3 | 7A | 191 BPM | ||
Giselle: Act II: Entree d'Hilarion, scene et fugue des Wilis - Grand pas de duex | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 1 | 9B | 122 BPM | ||
Ivan Susanin: Waltz | Mikhail Glinka, USSR Symphony Orchestra, Yevgeny Svetlanov | A Major | 0 | 11B | 185 BPM | ||
Violin Concerto No. 11 in D Major, Op. 23: III. Rondo allegretto | Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet | D Major | 3 | 10B | 121 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 14, The Hut on Fowl's Legs (Baba-Yaga) | Modest Mussorgsky, Sir Simon Rattle, Berliner Philharmoniker | G Major | 1 | 9B | 87 BPM | ||
Ballet Suite No. 4 (arr. L. Atovmyan): Waltz (The Song of Great Rivers) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 96 BPM | ||
Maxim trilogy Suite, Op. 50a (arr. L. Atovmyan): V. Waltz: Allegro sostenuto | Lev Atovmyan, Dmitri Shostakovich, Svetlana Katchour, Rundfunkchor Berlin, Berlin Radio Symphony Orchestra, Michail Jurowski | G Major | 3 | 9B | 108 BPM | ||
Atovmyan & Shostakovich: 4 Waltzes: No. 2, Waltz-Scherzo (From "The Bolt", Op. 27) | Dmitri Shostakovich, Lev Atovmyan, Nash Ensemble | B♭ Minor | 3 | 3A | 127 BPM | ||
The Gadfly Suite, Op. 97a (arr. L. Atovmyan): II. Contredanse | Lev Atovmyan, Dmitri Shostakovich, Berlin Radio Symphony Orchestra, Leonid Grin | B♭ Major | 5 | 6B | 110 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM |