François Couperin, William Christie, Patricia Petibon, Sophie Daneman, Les Arts Florissants's 'Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: I. Yod' came out on January 1, 1997. With Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: I. Yod being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 22 in Couperin : Leçons de Ténèbres by François Couperin, William Christie, Les Arts Florissants. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: I. Yod is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: I. Yod by François Couperin, William Christie, Patricia Petibon, Sophie Daneman, Les Arts Florissants is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas / Act 3: Prelude - "Come Away, Fellow Sailors" | Henry Purcell, Daniel Lochmann, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 177 BPM | ||
Les indes galantes / Nouvelle Entrée: Les Sauvages Scène 6: Danse du Grand Calumet de la Paix (Rondeau) - Forêts paisibles | Jean-Philippe Rameau, Patricia Petibon, Kevin Greenlaw, La Cetra Barockorchester Basel, Andrea Marcon, La Cetra Vocalensemble Basel | F♯ Minor | 3 | 11A | 87 BPM | ||
Terzo Libro di madrigali, SV 60–74: Poi ch’ella in sé tornò (Part III) | Claudio Monteverdi, Les Arts Florissants, Paul Agnew, Miriam Allan, Hannah Morrison, Sean Clayton, Lisandro Abadie | B Major | 0 | 1B | 92 BPM | ||
Dido and Aeneas / Act 1: "Shake the cloud from off your brow" | Henry Purcell, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 1 | 5A | 103 BPM | ||
Purcell : King Arthur : Act 1 "Come if you dare" [Tenor, Chorus] | William Christie | B♭ Major | 2 | 6B | 173 BPM | ||
Tenebræ Responsoria, Feria Quinta: Lectio IV. Exaudi, Deus, orationem meam | Carlo Gesualdo, Paul Agnew, Les Arts Florissants | D Minor | 3 | 7A | 118 BPM | ||
Credo, RV. 591: Coro "Crucifixus etiam pro nobis" | Antonio Vivaldi, Les Arts Florissants, Paul Agnew | B Minor | 1 | 10A | 75 BPM | ||
Gloria, RV. 589: Aria "Qui sedes ad dexteram Patris" | Antonio Vivaldi, Les Arts Florissants, Paul Agnew, Lucile Richardot | B Minor | 1 | 10A | 75 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act II: Ritornello - Song and Chorus. "Thanks to These Lonesome Vales" (Belinda, Chorus) | Henry Purcell, William Christie, Les Arts Florissants, Sophie Marin-Degor | D♭ Minor | 1 | 12A | 117 BPM | ||
Mozart : Die Entführung aus dem Serail : Act 1 "Ach, ich liebe, war so glücklich!" [Konstanze] | Wolfgang Amadeus Mozart, William Christie, Les Arts Florissants | D Major | 4 | 10B | 77 BPM |