"Terzo Libro di madrigali, SV 60–74: Poi ch’ella in sé tornò (Part III)" by Claudio Monteverdi, Les Arts Florissants, Paul Agnew, Miriam Allan, Hannah Morrison, Sean Clayton, Lisandro Abadie was released on May 11, 2015. The duration of Terzo Libro di madrigali, SV 60–74: Poi ch’ella in sé tornò (Part III) is about 3 minutes long, at 3:29. Based on our data, "Terzo Libro di madrigali, SV 60–74: Poi ch’ella in sé tornò (Part III)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Claudio Monteverdi, Les Arts Florissants, Paul Agnew's "Monteverdi: Madrigali - Cremona Vol. 1" album is number 21 out of 21. In terms of popularity, Terzo Libro di madrigali, SV 60–74: Poi ch’ella in sé tornò (Part III) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Terzo Libro di madrigali, SV 60–74: Poi ch’ella in sé tornò (Part III) by Claudio Monteverdi, Les Arts Florissants, Paul Agnew, Miriam Allan, Hannah Morrison, Sean Clayton, Lisandro Abadie to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Earle of Essex Galiard from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | F Minor | 1 | 4A | 107 BPM | ||
Magnificat, W. E22: Et misericordia eius (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Salve Regina (Motetti a una, due vocie con sinfonie d'istromenti, Libro primo, 1621, A. Vincenti, Venezia) | Philippe Jaroussky, Ensemble Artaserse | G Minor | 1 | 6A | 75 BPM | ||
Stabat Mater RV 621: VIII. Facut | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Marie-Nicole Lemieux | F Minor | 1 | 4A | 99 BPM | ||
Ave Regina coelorum (Sentimenti devoti espressi con la musica di due e tre voci, opera sesta, Libro secondo, 1660, G. Sala, Venezia) | Marie-Nicole Lemieux, Philippe Jaroussky, Ensemble Artaserse | D Minor | 2 | 7A | 119 BPM | ||
Deo gratias | Johannes Ockeghem, Paul Van Nevel | C Major | 1 | 8B | 60 BPM | ||
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM | ||
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 71 BPM | ||
L'Orfeo, SV 318 / Act I: "Rosa del ciel" - "Io non dirò qual sia" - "Lasciate i monti" - "Vieni, Imeneo" | Claudio Monteverdi, Anthony Rolfe Johnson, Julianne Baird, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | E Minor | 1 | 9A | 177 BPM |