Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro)

Emilio de' Cavalieri, Johannette Zomer, Stephan MacLeod, Marco Beasley, L'Arpeggiata, Christina Pluhar, Núria Rial, Béatrice Mayo-Felip
L'Arpeggiata, Christina Pluhar: The Complete Alpha Recordings
8:08 2001日
テンポ
77
キー
G Major
キャメロットミュージックキー
9B

リンクを埋め込む

共有

Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) - Emilio de' Cavalieri, Johannette Zomer, Stephan MacLeod, Marco Beasley, L'Arpeggiata, Christina Pluhar, Núria Rial, Béatrice Mayo-Felip 情報

音響性
97%
ダンサビリティ
31%
エネルギー
9%
手段性
0%
活気
10%
ラウドネス
68%
話し言葉
5%
価数
14%
人気
ラウドネス
-19.198 dB

まとめ

"Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro)" by Emilio de' Cavalieri, Johannette Zomer, Stephan MacLeod, Marco Beasley, L'Arpeggiata, Christina Pluhar, Núria Rial, Béatrice Mayo-Felip was released on 2001. Since Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Lucilla Galeazzi, Marco Beasley, L'Arpeggiata, Christina Pluhar, Gianluigi Trovesi, Johanette Zomer's "L'Arpeggiata, Christina Pluhar: The Complete Alpha Recordings" album is number 14 out of 100. Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) テンポ

We consider the tempo marking of Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) by Emilio de' Cavalieri, Johannette Zomer, Stephan MacLeod, Marco Beasley, L'Arpeggiata, Christina Pluhar, Núria Rial, Béatrice Mayo-Felip to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) キー

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
A Song of Mr Robert Parsons by Robert Parsons, Catherine King, The Rose Consort Of ViolsA Song of Mr Robert ParsonsRobert Parsons, Catherine King, The Rose Consort Of ViolsA♭ Minor01A92 BPM
Suite in D Minor: IV. Canaries by Vieux Gaultier, Hopkinson SmithSuite in D Minor: IV. CanariesVieux Gaultier, Hopkinson SmithC Minor15A65 BPM
The Second Dirge Anthem: Man That Is Born of a Woman – In the Midst of Life – Thou Knowest, Lord, Z. 58b by Thomas Morley, Henry Purcell, Vox Luminis, Lionel MeunierThe Second Dirge Anthem: Man That Is Born of a Woman – In the Midst of Life – Thou Knowest, Lord, Z. 58bThomas Morley, Henry Purcell, Vox Luminis, Lionel MeunierA♭ Minor11A135 BPM
Madrigali amorosi: No. 2, Sonnet by Petrarch Madrigali amorosi: No. 2, Sonnet by Petrarch "Vago augelletto che cantando vai"Claudio Monteverdi, Concerto Italiano, Rinaldo AlessandriniC Major18B87 BPM
Sonata a 4 by Gabriele Usper, The Illyria Consort, Bojan Čičić, Gawain GlentonSonata a 4Gabriele Usper, The Illyria Consort, Bojan Čičić, Gawain GlentonF♯ Major22B86 BPM
Requiem: Kyrie by Johannes Ockeghem, Musica Ficta, Bo HoltenRequiem: KyrieJohannes Ockeghem, Musica Ficta, Bo HoltenG Major19B73 BPM
Motets: De ore prudentis by Gregorio Allegri, A Sei Voci, Bernard Fabre-GarrusMotets: De ore prudentisGregorio Allegri, A Sei Voci, Bernard Fabre-GarrusD Minor17A71 BPM
Un allato messagier by Luigi Rossi, Eva Zaïcik, Le Poème Harmonique, Vincent DumestreUn allato messagierLuigi Rossi, Eva Zaïcik, Le Poème Harmonique, Vincent DumestreD Minor17A92 BPM
Membra Jesu nostri, BuxWV 75: Ad pectus. Sicut modo geniti infantes rationabiles by Dietrich Buxtehude, RossoPorpora Ensemble, Walter TestolinMembra Jesu nostri, BuxWV 75: Ad pectus. Sicut modo geniti infantes rationabilesDietrich Buxtehude, RossoPorpora Ensemble, Walter TestolinC Major28B79 BPM
Quatrième suite in A Minor: No. 2, Allemande by Marin Marais, François Joubert-Caillet, L'AchéronQuatrième suite in A Minor: No. 2, AllemandeMarin Marais, François Joubert-Caillet, L'AchéronF♯ Minor111A94 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records