"Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro)" by Emilio de' Cavalieri, Johannette Zomer, Stephan MacLeod, Marco Beasley, L'Arpeggiata, Christina Pluhar, Núria Rial, Béatrice Mayo-Felip was released on 2001. Since Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Lucilla Galeazzi, Marco Beasley, L'Arpeggiata, Christina Pluhar, Gianluigi Trovesi, Johanette Zomer's "L'Arpeggiata, Christina Pluhar: The Complete Alpha Recordings" album is number 14 out of 100. Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) by Emilio de' Cavalieri, Johannette Zomer, Stephan MacLeod, Marco Beasley, L'Arpeggiata, Christina Pluhar, Núria Rial, Béatrice Mayo-Felip to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Song of Mr Robert Parsons | Robert Parsons, Catherine King, The Rose Consort Of Viols | A♭ Minor | 0 | 1A | 92 BPM | ||
Suite in D Minor: IV. Canaries | Vieux Gaultier, Hopkinson Smith | C Minor | 1 | 5A | 65 BPM | ||
The Second Dirge Anthem: Man That Is Born of a Woman – In the Midst of Life – Thou Knowest, Lord, Z. 58b | Thomas Morley, Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 135 BPM | ||
Madrigali amorosi: No. 2, Sonnet by Petrarch "Vago augelletto che cantando vai" | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | C Major | 1 | 8B | 87 BPM | ||
Sonata a 4 | Gabriele Usper, The Illyria Consort, Bojan Čičić, Gawain Glenton | F♯ Major | 2 | 2B | 86 BPM | ||
Requiem: Kyrie | Johannes Ockeghem, Musica Ficta, Bo Holten | G Major | 1 | 9B | 73 BPM | ||
Motets: De ore prudentis | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | D Minor | 1 | 7A | 71 BPM | ||
Un allato messagier | Luigi Rossi, Eva Zaïcik, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 92 BPM | ||
Membra Jesu nostri, BuxWV 75: Ad pectus. Sicut modo geniti infantes rationabiles | Dietrich Buxtehude, RossoPorpora Ensemble, Walter Testolin | C Major | 2 | 8B | 79 BPM | ||
Quatrième suite in A Minor: No. 2, Allemande | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 1 | 11A | 94 BPM |