"Madrigali amorosi: No. 2, Sonnet by Petrarch "Vago augelletto che cantando vai"" by Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini was released on 1997. Madrigali amorosi: No. 2, Sonnet by Petrarch "Vago augelletto che cantando vai" is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. The track order of this song in Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini's "Monteverdi: Madrigals, Book 8 - Madrigali guerrieri et amorosi" album is number 5 out of 17. On top of that, France appears to be the country where this track was created. Madrigali amorosi: No. 2, Sonnet by Petrarch "Vago augelletto che cantando vai" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Madrigali amorosi: No. 2, Sonnet by Petrarch "Vago augelletto che cantando vai" by Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Atys, LWV 53, Prologue: Ouverture | Jean-Baptiste Lully, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 122 BPM | ||
San Casimiro, re di Polonia: Al serto le rose (Duetto) | Alessandro Scarlatti, Núria Rial, Valer Sabadus | A Major | 1 | 11B | 95 BPM | ||
Il desiderio: No. 3, Morir non può il mio cuore | Maddalena Casulana, Singer Pur | F Minor | 0 | 4A | 67 BPM | ||
Marche de Timbales | Philidor le Cadet, Marie-Ange Petit, Les Arts Florissants, William Christie | A Major | 2 | 11B | 80 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Airs à quatre parties, Livre I: Que feray-je? | Jean Boyer, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Le Poème Harmonique, Vincent Dumestre | D Minor | 2 | 7A | 76 BPM | ||
Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | B Minor | 1 | 10A | 80 BPM | ||
Madrigals, Book 9: Perchè se m'odiavi, SV 175 | Claudio Monteverdi, Le Nuove Músiche, Krijn Koetsveld, Falco van Loon, Joao Moreiro, Bas Ramselaar | A Minor | 2 | 8A | 107 BPM | ||
Io parto e non piu dissi | Carlo Gesualdo, Ensemble Métamorphoses, Maurice Bourbon | A Minor | 0 | 8A | 80 BPM | ||
Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM |