"Adriana Lecouvreur: "Io son l'umile ancella" (Adriana) - Full Vocal Version" by Francesco Cilea, Compagnia D'Opera Italiana, Antonello Gotta, Angela Venturino was released on 1997. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 14 in Cantolopera: Soprano Arias, Vol. 1 by Angela Venturino, Antonello Gotta, Compagnia D'Opera Italiana. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, Adriana Lecouvreur: "Io son l'umile ancella" (Adriana) - Full Vocal Version's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adriana Lecouvreur: "Io son l'umile ancella" (Adriana) - Full Vocal Version by Francesco Cilea, Compagnia D'Opera Italiana, Antonello Gotta, Angela Venturino is Allegro (fast, quick, and bright), since this song has a tempo of 138 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 1: "Bel conforto" | Gaetano Donizetti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | F Major | 3 | 7B | 56 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 96 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Canto del mattino, Op. 5 | Francesco Cilea, Pier Paolo Vincenzi | F Major | 1 | 7B | 89 BPM | ||
Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) | Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan | A Major | 0 | 11B | 78 BPM | ||
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | A♭ Major | 2 | 4B | 79 BPM | ||
Le Comte Ory, Act I, Scene VIII, No. 4: En proie à la tristesse... Vous que l'on dit sensible... Céleste providence | Gioachino Rossini, Pretty Yende, Marco Armiliato | E♭ Major | 2 | 5B | 88 BPM | ||
Adriana Lecouvreur / Act 3: "Giova del Conte di Sassonia scoprir l'amica nova" | Francesco Cilea, Cleopatra Ciurca, Michel Sénéchal, Francesco Ellero D'Artegna, Colin Cue, Dame Joan Sutherland, Leo Nucci, Welsh National Opera Orchestra, Richard Bonynge | C Major | 2 | 8B | 67 BPM |