"La bohème, SC 67: Dunque è proprio finita" by Giacomo Puccini, Jonathan Tetelman, Federica Lombardi, Marina Monzó, Theodore Platt, PKF – Prague Philharmonia, Carlo Rizzi was released on September 29, 2023. La bohème, SC 67: Dunque è proprio finita is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. There are a total of 15 in the song's album "The Great Puccini". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. The popularity of La bohème, SC 67: Dunque è proprio finita is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La bohème, SC 67: Dunque è proprio finita by Giacomo Puccini, Jonathan Tetelman, Federica Lombardi, Marina Monzó, Theodore Platt, PKF – Prague Philharmonia, Carlo Rizzi having a テンポ of 180 with a half-time of 90 テンポ and a double-time of 360 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dante, Op. 111: "Tout est fini" | Benjamin Godard, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | D Major | 3 | 10B | 67 BPM | ||
La Boheme, dritter Akt: Mimi ! | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Puccini: Turandot, Act 1: "Ah! per l’ultima volta!" (Timur, Liù, Coro, Calaf, Ping) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Ermonela Jaho, Jonas Kaufmann, Mattia Olivieri, Michele Pertusi, Orchestra dell'Accademia Nazionale di Santa Cecilia | A♭ Major | 3 | 4B | 165 BPM | ||
Madame Butterfly - Grosser Querschnitt: Du, du, du | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | C Major | 1 | 8B | 82 BPM | ||
Pagliacci / Act 1: "Recitar!" - "Vesti la giubba" | Ruggero Leoncavallo, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Minor | 2 | 9A | 83 BPM | ||
Puccini's Manon Lescaut - Donna Non Vidi Mai | Carlo Bergonzi | B♭ Major | 3 | 6B | 116 BPM | ||
Faust Act 1 No.5 Chouer : "Vin ou biere" - Gounod : Faust : Act 1 "Vin ou bière!" [Wagner, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | F Major | 3 | 7B | 92 BPM | ||
Andrea Chénier / Act 2: Temer? Perchè? | Umberto Giordano, Kathleen Kuhlmann, Piero de Palma, National Philharmonic Orchestra, Riccardo Chailly | G Major | 3 | 9B | 170 BPM | ||
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Giorgio Tadeo, Carlo Cava, Gianna D'Angelo, Gabriella Carturan, Nicola Monti, Renato Capecchi, Bavarian Radio Symphony Orchestra, Bruno Bartoletti, Coro dell' Opera Nazionale Italiana | C Major | 6 | 8B | 103 BPM | ||
Gounod : Faust : Act 2 "Faites-lui mes aveux" [Siébel] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | C Major | 0 | 8B | 151 BPM |