Charles Villiers Stanford, Choir of Clare College, Cambridge, Graham Ross's 'Coelos ascendit hodie' came out on March 23, 2015. With Coelos ascendit hodie being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 15 in Ascendit Deus: Music for Ascensiontide & Pentecost (Bonus Track Version) by Choir of Clare College, Cambridge, Graham Ross. Coelos ascendit hodie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Coelos ascendit hodie by Charles Villiers Stanford, Choir of Clare College, Cambridge, Graham Ross is Adagio (slowly with great expression), since this song has a tempo of 71 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nachtlied | Max Reger, Stephan Lutermann, Vokalconsort Osnabrück | B Minor | 0 | 10A | 130 BPM | ||
Mass for Double Choir: V. Agnus dei | Frank Martin, Westminster Choir, Joe Miller | E Minor | 1 | 9A | 126 BPM | ||
The Bluebird | Charles Villiers Stanford, The Choral Project | B Major | 0 | 1B | 91 BPM | ||
Lord, for Thy Tender Mercy's Sake | Richard Farrant, Westminster Kantorei, Amanda Quist | A♭ Major | 1 | 4B | 77 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: II. Gloria | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 137 BPM | ||
Nigra sum (I am black) | Pablo Casals, Mark Kruczek, Voices of Ascension Chorus, Dennis Keene | E Major | 0 | 12B | 124 BPM | ||
4 Quartette, Op. 92: I. O schöne Nacht | Johannes Brahms, Orpheus Vokalensemble, Antonii Baryshevskyi, Michael Alber | E Minor | 1 | 9A | 95 BPM | ||
Cantique de Jean Racine | Escolania de Montserrat, Eduard Vila i Perarnau, Gabriel Fauré, Joaquim Piqué i Calvo | C Major | 2 | 8B | 121 BPM | ||
Stabat Mater, FP 148: III. O quam tristis | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | F♯ Major | 0 | 2B | 91 BPM | ||
6 Chansons: No. 1. La biche | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | D♭ Minor | 1 | 12A | 102 BPM |