John Dowland, John Potter, Stephen Stubbs, John Surman, Maya Homburger, Barry Guy made "Now, Oh Now I Needs Must Part" available on September 17, 1999. Now, Oh Now I Needs Must Part is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. The track order of this song in John Dowland, John Potter's "In Darkness Let Me Dwell" album is number 11 out of 14. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Now, Oh Now I Needs Must Part's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Now, Oh Now I Needs Must Part by John Dowland, John Potter, Stephen Stubbs, John Surman, Maya Homburger, Barry Guy to be Allegro (fast, quick, and bright) because the track has a tempo of 150 テンポ, a half-time of 75テンポ, and a double-time of 300 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concert en e mi la: V. Menüet | Francesco Corbetta, Simone Vallerotonda, Bor Zuljan | E♭ Minor | 1 | 2A | 103 BPM | ||
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | ||
Dansereye (1551): Passe e medio/ Reprise 'Le Pingue' | Tylman Susato, New London Consort, Philip Pickett | D Minor | 1 | 7A | 170 BPM | ||
Salve Regina pour soprano, contre-ténor et basse continue: I. Salve Regina (Adagio) | Domenico Scarlatti, Vox Luminis, Lionel Meunier | A♭ Major | 3 | 4B | 124 BPM | ||
Innsbruck, ich muss dich lassen | Heinrich Isaac, Capilla Flamenca | F Major | 0 | 7B | 94 BPM | ||
Pieces in A Minor: I. Allemande | Jean Mercure, Anders Ericson | A♭ Minor | 1 | 1A | 136 BPM | ||
Tedesca - Saltarello | Giorgio Mainerio, Ulsamer Collegium, Josef Ulsamer | E Minor | 1 | 9A | 85 BPM | ||
Byrd: Prelude & Goodnight Ground a 5 | William Byrd, Fretwork | E♭ Major | 1 | 5B | 84 BPM | ||
Spagnoletta | Fabritio Caroso, Domenico Cerasani, Massimo Lonardi | C Major | 1 | 8B | 179 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM |