"Aida: Danza Sacre delle Sacerdotesse" by Giuseppe Verdi, Plácido Domingo, Metropolitan Opera Orchestra, Samuel Ramey, Aprile Millo, James Levine, Dolora Zajick, James Morris was released on 1991. The duration of Aida: Danza Sacre delle Sacerdotesse is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Aida: Danza Sacre delle Sacerdotesse's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Aida - The Sony Opera House by Giuseppe Verdi, James Levine. The song's track number on the album is #12 out of 60 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Aida: Danza Sacre delle Sacerdotesse's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Aida: Danza Sacre delle Sacerdotesse by Giuseppe Verdi, Plácido Domingo, Metropolitan Opera Orchestra, Samuel Ramey, Aprile Millo, James Levine, Dolora Zajick, James Morris has a tempo of 144 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Aida: Danza Sacre delle Sacerdotesse being at 144 テンポ, the half-time would be 72 テンポ with a double-time of 288 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / 3. Cour d'amours: "Amor volat undique" | Carl Orff, June Anderson, Chicago Symphony Orchestra, James Levine, Glen Ellyn Children's Chorus | D Minor | 2 | 7A | 135 BPM | ||
Carmen / Act 2: "La fleur que tu m'avais jetée" | Georges Bizet, Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | E Major | 1 | 12B | 87 BPM | ||
Norma / Act 1: Introduzione: Ite sul colle, o Druidi | Vincenzo Bellini, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | G Major | 2 | 9B | 94 BPM | ||
Rusalka, Op. 114 / Act 2: Kvetiny bile po ceste | Antonín Dvořák, Franz Hawlata, Kühn Mixed Choir, Czech Philharmonic Orchestra, Sir Charles Mackerras | G Major | 1 | 9B | 92 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 139 BPM | ||
Norma / Act 1: Sediziose voci, voci di guerra | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | D♭ Major | 1 | 3B | 69 BPM | ||
La Traviata / Act 2: "Di Madride noi siam mattadori" | Giuseppe Verdi, Stefania Malagu, Walter Gullino, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | G Major | 4 | 9B | 138 BPM | ||
I vespri siciliani*: Sinfonia | Giuseppe Verdi, Hungarian State Opera Orchestra, Pier Giorgio Morandi | C Minor | 0 | 5A | 64 BPM | ||
Requiem, Op. 48: VI. Libera Me | Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra, James Morris | G Minor | 1 | 6A | 69 BPM | ||
Norma / Act 2: Squilla il bronzo del Dio! | Vincenzo Bellini, Samuel Ramey, Dame Joan Sutherland, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | G Major | 4 | 9B | 126 BPM |