"Ahi, dispietata e cruda" by Carlo Gesualdo, Les Arts Florissants, Paul Agnew was released on February 5, 2021. The duration of Ahi, dispietata e cruda is about 3 minutes long, at 3:03. Based on our data, "Ahi, dispietata e cruda" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Carlo Gesualdo, Les Arts Florissants, Paul Agnew's "Gesualdo: Madrigali, Libri terzo & quarto" album is number 6 out of 41. On top of that, France appears to be the country where this track was created. In terms of popularity, Ahi, dispietata e cruda is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ahi, dispietata e cruda by Carlo Gesualdo, Les Arts Florissants, Paul Agnew to be Andante (at a walking pace) because the track has a tempo of 102 テンポ, a half-time of 51テンポ, and a double-time of 204 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Crucem Tuam Adoramus (Antífonia) | Jordi Savall | E Minor | 0 | 9A | 66 BPM | ||
Quatre Motets sur des thèmes grégoriens pour choeur a cappella, Op.10: I. Ubi caritas | Maurice Duruflé, Mauruce Duruflé, Houston Chamber Choir, Robert Simpson | E♭ Major | 1 | 5B | 88 BPM | ||
Dispietata pietate | Sigismondo D'India, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Taverner: Missa Corona spinea - 06. Benedictus | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 71 BPM | ||
Missa Sanctae Crucis, MH 56: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 75 BPM | ||
Guerrero: Dios los extremos condena | A5 Vocal Ensemble, Francisco Guerrero | G Minor | 1 | 6A | 126 BPM | ||
Selig sind die Toten, Op. 11, No. 23, SWV 391 | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 67 BPM | ||
Introitus: Gaudeamus omnes in domino | Guillaume de Machaut, Ensemble Gilles Binchois, Dominique Vellard | E Major | 1 | 12B | 73 BPM | ||
Tenebrae Responsories, Feria sexta: I. Omnes amici mei | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | B♭ Major | 2 | 6B | 80 BPM | ||
Stabat Mater à 10 voix et basse continue: I. Stabat Mater dolorosa | Domenico Scarlatti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM |