Claudio Monteverdi, Christina Pluhar, Núria Rial, Philippe Jaroussky's 'Monteverdi / Arr Pluhar: Zefiro torna e di soavi accenti, SV 251' came out on January 5, 2009. Since Monteverdi / Arr Pluhar: Zefiro torna e di soavi accenti, SV 251 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Claudio Monteverdi, Christina Pluhar's "Monteverdi: Teatro d'amore" album is number 16 out of 16. In terms of popularity, Monteverdi / Arr Pluhar: Zefiro torna e di soavi accenti, SV 251 is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Monteverdi / Arr Pluhar: Zefiro torna e di soavi accenti, SV 251 by Claudio Monteverdi, Christina Pluhar, Núria Rial, Philippe Jaroussky to be Moderato (at a moderate speed) because the track has a tempo of 117 テンポ, a half-time of 58テンポ, and a double-time of 234 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rameau: "Feuillages verts naissez" | Jean-Philippe Rameau, Les Ambassadeurs, Alexis Kossenko | A♭ Major | 0 | 4B | 81 BPM | ||
Giulio Cesare, HWV 17: Act III - "Piangerò" | Simone Kermes | E♭ Major | 0 | 5B | 97 BPM | ||
Aria di Firenze per la C | Giovanni Paolo Foscarini, Ensemble Kapsberger, Rolf Lislevand | D Major | 2 | 10B | 114 BPM | ||
Monteverdi: Hor che'l ciel e la terra e'l vento tace, SV 147 | Claudio Monteverdi, Christina Pluhar, Michaela Riener, Lauren Armishaw, Philippe Jaroussky, Jan Van Elsacker, Cyril Auvity, Nicolas Achten, Joao Fernandes | G Major | 1 | 9B | 112 BPM | ||
7 Chansons grises: No. 5, L'heure exquise | Reynaldo Hahn, Anne Sofie von Otter, Bengt Forsberg | B♭ Major | 0 | 6B | 67 BPM | ||
Fauré: Cantique de Jean Racine, Op. 11 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D♭ Major | 1 | 3B | 79 BPM | ||
Idaspe: Ombra fedela anch'io (Air de Dario) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Major | 0 | 3B | 71 BPM | ||
Missa prolationum, Kyrie: Kyrie eleison I | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | E♭ Major | 1 | 5B | 67 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
Bist du bei mir, BWV 508 (Arie) | Johann Sebastian Bach, Núria Rial, Julia Schröder | D Major | 1 | 10B | 92 BPM |