Pacini: Alessandro nell'Indie, Act 2: "Che mi giovo sull'are" (Cleofide, Gandarte)

Giovanni Pacini, David Parry, London Philharmonic Orchestra
Pacini: Alessandro nell'Indie
1:17 2007年1月1日
テンポ
96
キー
B♭ Major
キャメロットミュージックキー
6B

リンクを埋め込む

共有

Pacini: Alessandro nell'Indie, Act 2: "Che mi giovo sull'are" (Cleofide, Gandarte) - Giovanni Pacini, David Parry, London Philharmonic Orchestra 情報

音響性
96%
ダンサビリティ
42%
エネルギー
7%
手段性
0%
活気
27%
ラウドネス
62%
話し言葉
8%
価数
13%
人気
ラウドネス
-23.066 dB

まとめ

"Pacini: Alessandro nell'Indie, Act 2: "Che mi giovo sull'are" (Cleofide, Gandarte)" by Giovanni Pacini, David Parry, London Philharmonic Orchestra was released on January 1, 2007. With Pacini: Alessandro nell'Indie, Act 2: "Che mi giovo sull'are" (Cleofide, Gandarte) being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 48 in the song's album "Pacini: Alessandro nell'Indie". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Pacini: Alessandro nell'Indie, Act 2: "Che mi giovo sull'are" (Cleofide, Gandarte) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Pacini: Alessandro nell'Indie, Act 2: "Che mi giovo sull'are" (Cleofide, Gandarte) テンポ

With Pacini: Alessandro nell'Indie, Act 2: "Che mi giovo sull'are" (Cleofide, Gandarte) by Giovanni Pacini, David Parry, London Philharmonic Orchestra having a テンポ of 96 with a half-time of 48 テンポ and a double-time of 192 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.

Pacini: Alessandro nell'Indie, Act 2: "Che mi giovo sull'are" (Cleofide, Gandarte) キー

This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Petite messe solennelle: Domine Deus by Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Michael SpyresPetite messe solennelle: Domine DeusGioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Michael SpyresD Major210B138 BPM
Pagliacci / Act I: Pagliacci / Act I: "Qual fiamma avea nel guardo! ... Stridono lassù"Ruggero Leoncavallo, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio PappanoA Major111B78 BPM
Medea, Act III, Scene 8: Morte all'infame (Coro, Giasone, Medea) by Giovanni Pacini, Orchestra Sinfonica di Savona, Coro Schola Cantorum S. Gregorio Magno Trecate, Richard Bonynge, Sergio Foresti, Jolanta OmilianMedea, Act III, Scene 8: Morte all'infame (Coro, Giasone, Medea)Giovanni Pacini, Orchestra Sinfonica di Savona, Coro Schola Cantorum S. Gregorio Magno Trecate, Richard Bonynge, Sergio Foresti, Jolanta OmilianB♭ Major56B113 BPM
Prodaná Nevesta (The Bartered Bride): Kdybych se co takového (Should I ever happen to learn) (Act 1) by Bedřich Smetana, Lucia Popp, Munich Radio Orchestra, Stefan Soltesz, Muenchner RundfunkorchesterProdaná Nevesta (The Bartered Bride): Kdybych se co takového (Should I ever happen to learn) (Act 1)Bedřich Smetana, Lucia Popp, Munich Radio Orchestra, Stefan Soltesz, Muenchner RundfunkorchesterD♭ Major13B103 BPM
Stabat Mater: Quando corpus morietur by Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale FiorentinoStabat Mater: Quando corpus morieturGioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale FiorentinoE♭ Major15B74 BPM
Madama Butterfly: Tu, tu, piccolo iddio by Giacomo Puccini, Leontyne Price, Oliviero de Fabritiis, Orchestra Del Teatro Dell'Opera Di Roma, Wiener PhilharmonikerMadama Butterfly: Tu, tu, piccolo iddioGiacomo Puccini, Leontyne Price, Oliviero de Fabritiis, Orchestra Del Teatro Dell'Opera Di Roma, Wiener PhilharmonikerB Minor310A97 BPM
La Bohème / Act 4: La Bohème / Act 4: "O Mimì, tu più non torni" (Duetto) - "Che ora sia"Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Gianni Maffeo, Nicolai Ghiaurov, Berliner Philharmoniker, Herbert von KarajanC Major28B77 BPM
Norma (1997 Digital Remaster), ACT 1, Scene 1: Me protegge, me difende un poter maggior di loro (Pollione) by Vincenzo Bellini, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di MilanNorma (1997 Digital Remaster), ACT 1, Scene 1: Me protegge, me difende un poter maggior di loro (Pollione)Vincenzo Bellini, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di MilanE♭ Major35B74 BPM
Der Freischütz, J. 277 / Act 3: Der Freischütz, J. 277 / Act 3: "Einst träumte meiner sel'gen Base" - "Trübe Augen, Liebchen, taugen"Carl Maria von Weber, Edith Mathis, Staatskapelle Dresden, Carlos KleiberG Minor26A79 BPM
Medea, Act I, Scene 2: Ah! Voce di morte, suonò tremenda (Creonte, Calcante, Coro) by Giovanni Pacini, Orchestra Sinfonica di Savona, Coro Schola Cantorum S. Gregorio Magno Trecate, Richard Bonynge, Marcello Lippi, Giorgio GiuseppiniMedea, Act I, Scene 2: Ah! Voce di morte, suonò tremenda (Creonte, Calcante, Coro)Giovanni Pacini, Orchestra Sinfonica di Savona, Coro Schola Cantorum S. Gregorio Magno Trecate, Richard Bonynge, Marcello Lippi, Giorgio GiuseppiniF Major17B75 BPM
ISRC
GBQXY0760149
レコードレーベル
L-M Records/RCA Records