"Die Zauberflöte, K. 620 / Zweiter Aufzug: "Wie? Wie? Wie? Ihr an diesem Schreckensort?"" by Wolfgang Amadeus Mozart, Hildegard Hillebrecht, Cvetka Ahlin, Sieglinde Wagner, Fritz Wunderlich, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm was released on January 1, 1964. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists, Wolfgang Amadeus Mozart, Berliner Philharmoniker, Karl Böhm's "Mozart: Die Zauberflöte" album is number 7 out of 46. On top of that, Germany appears to be the country where this track was created. Die Zauberflöte, K. 620 / Zweiter Aufzug: "Wie? Wie? Wie? Ihr an diesem Schreckensort?" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Zauberflöte, K. 620 / Zweiter Aufzug: "Wie? Wie? Wie? Ihr an diesem Schreckensort?" by Wolfgang Amadeus Mozart, Hildegard Hillebrecht, Cvetka Ahlin, Sieglinde Wagner, Fritz Wunderlich, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 4. Sanctus | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 135 BPM | ||
Die Schöpfung, Hob. XXI:2 / Erster Teil: 1B. Rezitativ mit Chor: "Im Anfange schuf Gott Himmel und Erde" | Franz Joseph Haydn, Walter Berry, Fritz Wunderlich, Josef Nebois, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | C Minor | 0 | 5A | 83 BPM | ||
Così fan tutte, K. 588 / Act I: "Fuor la spada" | Wolfgang Amadeus Mozart, Adam Plachetka, Alessandro Corbelli, Rolando Villazón, Chamber Orchestra of Europe, Yannick Nézet-Séguin | E Major | 1 | 12B | 72 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Calmatevi, idol mio" | Wolfgang Amadeus Mozart, Rolando Villazón, Diana Damrau, Mahler Chamber Orchestra, Yannick Nézet-Séguin | E Minor | 1 | 9A | 85 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: 6. Arie: Rollend in schäumenden Wellen | Joseph Haydn, Kurt Moll, Berliner Philharmoniker, James Levine | D Major | 1 | 10B | 70 BPM | ||
Le Nozze di Figaro, K. 492: Atto primo. Scene 6 & 7. Recitativo Il Conte, Susanna, Cherubino, Basilio "Basilio, in traccia tosto" | Wolfgang Amadeus Mozart, Angelika Kirchschlager, Concerto Köln, Kobie Van Rensburg, Patrizia Ciofi, René Jacobs, Simon Keenlyside | D Major | 1 | 10B | 91 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: Ah ti ritrovo ancor - Non ti fidar, o misera | Wolfgang Amadeus Mozart, Joyce DiDonato, Diana Damrau, Rolando Villazón, Ildebrando D'Arcangelo, Mahler Chamber Orchestra, Yannick Nézet-Séguin | C Minor | 1 | 5A | 61 BPM | ||
Così fan tutte, K. 588 / Act I: "Che sussurro! Che strepito!" | Wolfgang Amadeus Mozart, Alessandro Corbelli, Angela Brower, Miah Persson, Rolando Villazón, Adam Plachetka, Mojca Erdmann, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Minor | 3 | 4A | 92 BPM | ||
Die Schöpfung, Hob. XXI:2 / Dritter Teil: 29. Orchestereinleitung und Rezitativ: "Aus Rosenwolken bricht" | Franz Joseph Haydn, Werner Krenn, Josef Nebois, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 102 BPM | ||
Così fan tutte, K. 588: Act 1: Finale, Atto Primo "Ah, Che Tutta In un Momento" - "Si Mora" | Wolfgang Amadeus Mozart, Concerto Köln, Graciela Oddone, Véronique Gens, Marcel Boone, René Jacobs, Bernarda Fink, Werner Güra, Pietro Spagnoli | D Major | 1 | 10B | 97 BPM |