"Le Nozze di Figaro, K. 492: Atto terzo. Scene 1-3. N.17 Duettino Il Conte, Susanna "Crudel! Perché finora"" by Wolfgang Amadeus Mozart, Concerto Köln, Patrizia Ciofi, René Jacobs, Simon Keenlyside was released on 2004. The duration of Le Nozze di Figaro, K. 492: Atto terzo. Scene 1-3. N.17 Duettino Il Conte, Susanna "Crudel! Perché finora" is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Le Nozze di Figaro, K. 492: Atto terzo. Scene 1-3. N.17 Duettino Il Conte, Susanna "Crudel! Perché finora"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, René Jacobs's "Mozart: Le nozze di Figaro" album is number 19 out of 62. Based on our statistics, Le Nozze di Figaro, K. 492: Atto terzo. Scene 1-3. N.17 Duettino Il Conte, Susanna "Crudel! Perché finora"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Nozze di Figaro, K. 492: Atto terzo. Scene 1-3. N.17 Duettino Il Conte, Susanna "Crudel! Perché finora" by Wolfgang Amadeus Mozart, Concerto Köln, Patrizia Ciofi, René Jacobs, Simon Keenlyside to be Allegro (fast, quick, and bright) because the track has a tempo of 124 テンポ, a half-time of 62テンポ, and a double-time of 248 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: Act II, Scene 2, Coro: Vieni ai regni del riposo | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | A Minor | 1 | 8A | 88 BPM | ||
Exsultate, Jubilate, K. 165: Alleluia | Camerata Cassovia, Priti Coles, Anonymous, Wolfgang Amadeus Mozart | F Major | 2 | 7B | 122 BPM | ||
Don Giovanni, K. 527: Venite pur avanti | Wolfgang Amadeus Mozart, Ruggero Raimondi, José van Dam, Edda Moser, Kiri Te Kanawa, Kenneth Riegel, Teresa Berganza, Malcolm King, Lorin Maazel | G Major | 2 | 9B | 72 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Signori di fuori son già i suonatori" | Wolfgang Amadeus Mozart, Edith Mathis, Gundula Janowitz, Dietrich Fischer-Dieskau, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | G Major | 3 | 9B | 216 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 10: Recitativo - Giunse Al Fin Il Momento | Donato Di Stefano, Maria Pia Ionata, Hungarian State Opera Orchestra, Patrizia Pace, Ingrid Kertesi, Natale de Carolis, Roberto Frontali, Jozsef Mukk, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | F Major | 0 | 7B | 63 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Coro e Orfeo: Ah! Quale incognito -Men tiranne ah, voi sareste - Ah! Quale incognito | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester, RIAS Kammerchor | C Major | 0 | 8B | 70 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Ballo e Aria con Coro: Deh! Placatevi con me | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | E♭ Major | 1 | 5B | 179 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 8: Aria - Non Piu Andrai | Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Ingrid Kertesi, Natale de Carolis, Hungarian State Opera Orchestra, Roberto Frontali, Maria Pia Ionata, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | G Major | 2 | 9B | 127 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Coro: Torna, o bella, al tuo consorte | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | F Major | 1 | 7B | 131 BPM | ||
Così fan tutte, K.588 / Act 1: "Al fato dan legge" - Live | Wolfgang Amadeus Mozart, Frank Lopardo, Olaf Bär, David Syrus, Chamber Orchestra of Europe, Sir Georg Solti | D♭ Major | 1 | 3B | 85 BPM |