Südfunk-Chor, Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart, Barbara Bonney, Jan-Hendrik Rootering, Hans Peter Blochwitz made "Die Schöpfung HobXXI/2, PART 1: Mit Staunen sieht das Wunderwerk:Sopran-Solo (Gabriel) mit Chor" available on 1990. With Die Schöpfung HobXXI/2, PART 1: Mit Staunen sieht das Wunderwerk:Sopran-Solo (Gabriel) mit Chor being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Sir Neville Marriner's "Haydn: Die Schoepfung" album is number 5 out of 35. In terms of popularity, Die Schöpfung HobXXI/2, PART 1: Mit Staunen sieht das Wunderwerk:Sopran-Solo (Gabriel) mit Chor is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Die Schöpfung HobXXI/2, PART 1: Mit Staunen sieht das Wunderwerk:Sopran-Solo (Gabriel) mit Chor by Südfunk-Chor, Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart, Barbara Bonney, Jan-Hendrik Rootering, Hans Peter Blochwitz to be Andante (at a walking pace) because the track has a tempo of 101 テンポ, a half-time of 50テンポ, and a double-time of 202 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grand Overture in D Major Op. 18, No. 3, W. G15: III. Allegro assai | Johann Christian Bach, Budapest Failoni Chamber Orchestra, Hanspeter Gmür | D Major | 2 | 10B | 131 BPM | ||
Partita No. 1 in B-Flat Major, BWV 825 (Arr. for Small Orchestra by Thomas Oehler): II. Allemande | Johann Sebastian Bach, Trevor Pinnock, Royal Academy of Music Soloists Ensemble, The Glenn Gould School | B♭ Major | 0 | 6B | 78 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: VIII. Gloria Patri | Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Singers, Geraint Jones Orchestra | D Major | 4 | 10B | 121 BPM | ||
Requiem in C Minor: VI. Sanctus et Benedictus | Luigi Cherubini, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius | A♭ Major | 2 | 4B | 89 BPM | ||
Gloria in D Major, RV 589: IX. Qui tollis | Antonio Vivaldi, Atlanta Symphony Orchestra, Robert Shaw, Atlanta Symphony Orchestra Chamber Chorus | E Minor | 2 | 9A | 128 BPM | ||
Concerto a due cori No. 2, HWV 333: IV. Largo | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 4 | 6B | 122 BPM | ||
Die Schöpfung HobXXI/2, PART 2: Vollendet ist das große Werk: Chor | Sir Neville Marriner, Südfunk-Chor, Barbara Bonney, Jan-Hendrik Rootering, Hans Peter Blochwitz, Radio-Sinfonieorchester Stuttgart | B♭ Major | 3 | 6B | 111 BPM | ||
Die Entführung aus dem Serail, K. 384, Act III: Welch ein Geschick - Meinetwegen willst du sterben - Remastered 2024 | Wolfgang Amadeus Mozart, Walther Ludwig, Wilma Lipp, Heinz Woester, Peter Klein, Endre Koreh, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
When Saul was king: I. When Saul was king over us | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | A Major | 1 | 11B | 170 BPM | ||
Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 9, Nun beut die Flur das frische Grün | Joseph Haydn, Dresdner Philharmonie, Marek Janowski, Christiane Karg | B♭ Major | 3 | 6B | 117 BPM |