Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Singers, Geraint Jones Orchestra made "Bach, CPE: Magnificat in D Minor, Wq. 215: VIII. Gloria Patri" available on April 10, 2024. With Bach, CPE: Magnificat in D Minor, Wq. 215: VIII. Gloria Patri being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 9 in CPE Bach: Magnificat, Wq. 215 by Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Bach, CPE: Magnificat in D Minor, Wq. 215: VIII. Gloria Patri's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bach, CPE: Magnificat in D Minor, Wq. 215: VIII. Gloria Patri by Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Singers, Geraint Jones Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 121 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kuhnau: Magnificat in C Major: XIII. Chorus. "Sicut locutus est" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Offertorium: Domine Jesu | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | G Minor | 1 | 6A | 83 BPM | ||
Ch'io mi scordi di te, K. 505: Non temer, amato bene | Wolfgang Amadeus Mozart, Marina Viotti, Gli Angeli Genève, Stephan MacLeod | E♭ Major | 1 | 5B | 89 BPM | ||
Te Deum "de Lyon": IV. Te martyrum candidatus laudat exercitus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Bach, CPE: Harpsichord Concerto in D Minor, H. 427: I. Allegro | Carl Philipp Emanuel Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener | D♭ Minor | 3 | 12A | 133 BPM | ||
In exitu Israel, ZWV 84: IV. Sicut erat | Jan Dismas Zelenka, Prague Baroque Soloists, Adam Viktora, Ensemble Inégal | E Major | 6 | 12B | 107 BPM | ||
Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 1: No. 4. Aria, "Mein Geist, voll Furcht und Freude, beben!" (Baritone) | Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Andreas Wolf | B Minor | 3 | 10A | 85 BPM | ||
Messiah, HWV 56: Part 2: Surely He hath borne our griefs (Chorus) | Nikolaus Harnoncourt | G Major | 3 | 9B | 159 BPM | ||
Missa brevis in C Major, K. 220 "Spatzenmesse": II. Gloria | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Angela Maria Blasi, Uwe Heilmann, Concentus Musicus Wien, Arnold Schönberg Choir | B Major | 1 | 1B | 126 BPM | ||
Elijah, Op. 70, MWV A 25 (Excerpts): No. 36, Gehe wiederum hinab! | Felix Mendelssohn, Jusung Gabriel Park, Munich Radio Orchestra, Bavarian Radio Chorus, Howard Arman | D Major | 2 | 10B | 97 BPM |