On 1994, the song "Harmonia artificioso - ariosa: Partia V in G Minor, Balletto - Presto" was released by Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon. With Harmonia artificioso - ariosa: Partia V in G Minor, Balletto - Presto being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 26 out of 38 in Biber: Harmonia artificioso-ariosa by Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra. In terms of popularity, Harmonia artificioso - ariosa: Partia V in G Minor, Balletto - Presto is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Harmonia artificioso - ariosa: Partia V in G Minor, Balletto - Presto by Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon is Moderato (at a moderate speed), since this song has a tempo of 119 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate III in F Major: I. Adagio | Élisabeth Jacquet de La Guerre, Ingrid Matthews, Byron Schenkman, Margriet Tindemans | A Major | 1 | 11B | 106 BPM | ||
Balletti di Venezia: VII. Adagio | Unknown, Ensemble Caprice, Matthias Maute | D♭ Minor | 0 | 12A | 146 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": IV. Scotch Tune | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 107 BPM | ||
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia | Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 94 BPM | ||
Amarilli, mia bella (1601) | Giulio Caccini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Major | 0 | 3B | 129 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giuseppe Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 141 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Adson's Masque | John Adson, Dorothee Oberlinger | G Minor | 2 | 6A | 130 BPM | ||
Trio Sonata in C Major, TWV 42:C2: I. Dolce | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | B Major | 0 | 1B | 94 BPM |