"La Sonnambula / Act I: "Care compagne, e voi, teneri amici ... Come per me sereno"" by Vincenzo Bellini, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda, Vienna State Opera Chorus was released on January 1, 2003. Since La Sonnambula / Act I: "Care compagne, e voi, teneri amici ... Come per me sereno" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Opera Arias". In this album, this song's track order is #6. The popularity of La Sonnambula / Act I: "Care compagne, e voi, teneri amici ... Come per me sereno" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Sonnambula / Act I: "Care compagne, e voi, teneri amici ... Come per me sereno" by Vincenzo Bellini, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda, Vienna State Opera Chorus having a テンポ of 175 with a half-time of 88 テンポ and a double-time of 350 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
The music key of this track is A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "Regina coeli laetare" | Pietro Mascagni, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 3 | 9B | 87 BPM | ||
"Io son l'umile ancella" | Francesco Cilea, Montserrat Caballé, Gianfranco Masini | A♭ Major | 1 | 4B | 107 BPM | ||
Wagner: Die Walküre, Act 1: "Winterstürme wichen dem Wonnemond" (Siegmund) | Richard Wagner, Plácido Domingo, Daniel Barenboim, Staatskapelle Berlin | D Minor | 2 | 7A | 113 BPM | ||
Faust, CG 4 / Act 3: "Salut! demeure chaste et pure" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | A♭ Major | 2 | 4B | 109 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
Giacomo Puccini: Madame Butterfly - Summchor | Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner | B♭ Major | 0 | 6B | 85 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
Les Pêcheurs de perles, WD 13, Act I: Au fond du temple saint | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey, Les Cris De Paris | B♭ Major | 1 | 6B | 101 BPM | ||
Norma / Act 2: Nè compi il rito, o Norma? | Vincenzo Bellini, Samuel Ramey, Dame Joan Sutherland, Diana Montague, Luciano Pavarotti, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | C Major | 1 | 8B | 108 BPM |