"Amazons Ballet Suite (1998): III. Fema" by Vakhtang Kakhidze, Tbilisi Symphony Orchestra, Jansug Kakhidze was released on April 15, 2008. With Amazons Ballet Suite (1998): III. Fema being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Vakhtang Kakhidze, Tbilisi Symphony Orchestra's "Moon Dances - Selected Works by Vakhtang Kakhidze" album is number 9 out of 20. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Amazons Ballet Suite (1998): III. Fema is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Amazons Ballet Suite (1998): III. Fema by Vakhtang Kakhidze, Tbilisi Symphony Orchestra, Jansug Kakhidze to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
The music key of this track is B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Swan of Tuonela, Op. 22, No. 3 | Jean Sibelius, Leonard Bernstein, New York Philharmonic | A Minor | 1 | 8A | 75 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | D Major | 1 | 10B | 114 BPM | ||
Mgzavruli | Vakhtang Kakhidze, Aries | C Major | 4 | 8B | 145 BPM | ||
String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Gabrieli String Quartet | E Major | 0 | 12B | 79 BPM | ||
Cello Concerto in B flat major : II. Adagio non troppo | Saint Petersburg Chamber Orchestra "Canon" , Sergei Raldugin, Leo Korchin | G Major | 1 | 9B | 129 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: II. Adagio | Elisabeth Sombart | F♯ Minor | 0 | 11A | 81 BPM | ||
Mascagni: Cavalleria rusticana: Intermezzo | Pietro Mascagni, Riccardo Muti, Philharmonia Orchestra | F Major | 1 | 7B | 85 BPM | ||
Saarshiko | Jansug Kakhidze, Vakhtang Kakhidze | G Major | 5 | 9B | 102 BPM | ||
XIII. Le cygne (Arr. for Cello & 2 Pianos) | Camille Saint-Saëns, Steven Isserlis | A♭ Minor | 1 | 1A | 173 BPM | ||
Piano Trio No. 1 in D Minor, Op. 49: II. Andante con moto tranquillo | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | B♭ Major | 0 | 6B | 63 BPM |