"Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle)" by Jacques Offenbach, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti was released on 1970. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Solti At Covent Garden". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) by Jacques Offenbach, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti having a テンポ of 114 with a half-time of 57 テンポ and a double-time of 228 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice (1992 Digital Remaster): Ballet in D minor (Dance of the Blessed Spirits): (flute solo) | Christoph Willibald Gluck, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 1 | 7B | 174 BPM | ||
I vespri siciliani / Act 3: Le quattro stagioni: 2. La primavera | Giuseppe Verdi, Cleveland Orchestra, Lorin Maazel | E♭ Major | 1 | 5B | 73 BPM | ||
Petite suite, L. 65: I. En bateau (Orch. by Henri Busser) | Claude Debussy, Yoav Talmi, Orchestre Symphonique De Québec | B Minor | 0 | 10A | 75 BPM | ||
Verdi: La forza del destino: Overture to Act 1 | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | F Minor | 1 | 4A | 88 BPM | ||
Invitation to the Dance | Carl Maria von Weber, Thierry De Brunhoff | D♭ Major | 1 | 3B | 122 BPM | ||
Carmen, Opera Suite No. 1: II. Les Dragons d'Alcala, Act 2 | London Festival Orchestra Alfred Scholz | G Major | 0 | 9B | 120 BPM | ||
Bach: Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | A♭ Major | 0 | 4B | 113 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.7 Notturno | Felix Mendelssohn, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 0 | 2B | 85 BPM | ||
The Prince of the Pagodas, Op. 57 - Act 2 Scene 2: The Prince and Belle Rose | Benjamin Britten, Orchestra of the Royal Opera House, Covent Garden | G Major | 0 | 9B | 150 BPM |