"Bach: キーboard Concerto No. 5 in F Minor, BWV 1056: II. Largo" by Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields was released on 1999. The duration of Bach: キーboard Concerto No. 5 in F Minor, BWV 1056: II. Largo is about 3 minutes long, at 3:28. Based on our data, "Bach: キーboard Concerto No. 5 in F Minor, BWV 1056: II. Largo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 28 in Bach: キーboard Concertos - French Suite No.5 by Johann Sebastian Bach, Andrei Gavrilov, Sir Neville Marriner. In terms of popularity, Bach: キーboard Concerto No. 5 in F Minor, BWV 1056: II. Largo is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bach: キーboard Concerto No. 5 in F Minor, BWV 1056: II. Largo by Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields is Moderato (at a moderate speed), since this song has a tempo of 113 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 2 in E, BWV 1042: 1. Allegro | Johann Sebastian Bach, Janine Jansen, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan Jansen | B♭ Major | 1 | 6B | 99 BPM | ||
Rhapsody on a Theme by Paganini, Op. 43: Variation 18. Andante cantabile | Sergei Rachmaninoff, Bella Davidovich, Royal Concertgebouw Orchestra, Neeme Järvi | D♭ Major | 1 | 3B | 70 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Partita No. 1 in B-Flat Major, BWV 825: VI. Gigue | Johann Sebastian Bach, Martin Helmchen | E♭ Minor | 3 | 2A | 176 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 3: The Death of Åse | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 0 | 9B | 87 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Vaughan Williams: The Lark Ascending: Opening (Excerpt) | Ralph Vaughan Williams, Sir Adrian Boult, New Philharmonia Orchestra | B Minor | 1 | 10A | 102 BPM | ||
Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | ||
La Traviata / Act 1: Prelude | Giuseppe Verdi, Bavarian State Orchestra, Carlos Kleiber | B Major | 0 | 1B | 131 BPM |