"Symphony No. 3 in D Minor: Part II, VI. Tempo I" by Gustav Mahler, Esa-Pekka Salonen, Los Angeles Philharmonic was released on March 9, 1998. The duration of Symphony No. 3 in D Minor: Part II, VI. Tempo I is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Symphony No. 3 in D Minor: Part II, VI. Tempo I's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gustav Mahler, Esa-Pekka Salonen, Los Angeles Philharmonic's "Mahler: Symphony No. 3 in D Minor" album is number 8 out of 24. Symphony No. 3 in D Minor: Part II, VI. Tempo I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 3 in D Minor: Part II, VI. Tempo I by Gustav Mahler, Esa-Pekka Salonen, Los Angeles Philharmonic to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahler: Das Lied von der Erde: II. Der Einsame im Herbst | Gustav Mahler, Otto Klemperer, Fritz Wunderlich, Christa Ludwig, Philharmonia Orchestra, New Philharmonia Orchestra | B♭ Major | 1 | 6B | 72 BPM | ||
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | G Minor | 3 | 6A | 135 BPM | ||
Petite Suite, WD 39: No. 4. Duo: Petit mari, petite femme | Georges Bizet, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Major | 1 | 9B | 76 BPM | ||
Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 2: Vom edlen Geisterchor umgeben | Gustav Mahler, Leah Crocetto, Los Angeles Children's Chorus, National Children’s Chorus, Los Angeles Philharmonic, Gustavo Dudamel | B♭ Major | 2 | 6B | 70 BPM | ||
Symphony No. 4 in F Minor, Op. 36, TH 27: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Russian National Orchestra, Mikhail Pletnev | B♭ Major | 3 | 6B | 77 BPM | ||
Lieder eines fahrenden Gesellen: Gieng heut' Morgen über's Feld | Gustav Mahler, Christian Gerhaher, Kent Nagano, Orchestre Symphonique de Montréal | E♭ Major | 0 | 5B | 80 BPM | ||
Götterdämmerung, WWV 86D, Act I: Siegfried's Rhine Journey (Dawn and Siegfried's Rhine Journey) | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | E♭ Major | 3 | 5B | 82 BPM | ||
Die Walküre, WWV 86B, Act I: In the Sound Code, We "See" His Loving Gaze | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | G Minor | 0 | 6A | 91 BPM | ||
Roma, WD 37: IV. Allegro vivacissimo | Georges Bizet, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | F Minor | 1 | 4A | 95 BPM | ||
Wala Wala Wala (feat. Numerhus) | Siobal D, Numerhus | B♭ Minor | 7 | 3A | 82 BPM |