"Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio" by Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis was released on November 8, 1995. The duration of Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 18 in Albinoni: Oboe Concertos, Vol. 3 by Tomaso Albinoni. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio by Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in B flat for Trumpet, Violin and Strings RV 548 (ed. Malipiero): III. Allegro | Maurice André, Iona Brown, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 1 | 7B | 99 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Air a l'Italien | Cologne Chamber Orchestra | A Minor | 1 | 8A | 76 BPM | ||
Sonata in B-flat Major, No. 2: III. Vivace | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A Major | 2 | 11B | 65 BPM | ||
Suite in G minor: IX. Passepied (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | B♭ Major | 1 | 6B | 82 BPM | ||
Intermezzo from Cavalleria Rusticana - Instrumental | Pietro Mascagni, John Georgiadis | F Major | 1 | 7B | 131 BPM | ||
Sinfonia in B minor, RV 169, "Al Santo Sepolcro": I. Adagio molto | Karoly Botvay | B Major | 0 | 1B | 177 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: II. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 130 BPM | ||
Spruhfeuer, Op. 243 | Eduard Strauss, Czech Philharmonic Chamber Orchestra, John Georgiadis | C Major | 5 | 8B | 156 BPM | ||
Masques et bergamasques Suite, Op. 112: II. Menuet | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | D Minor | 0 | 7A | 70 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 70 BPM |