On October 9, 1996, the song "Suite in G minor: IX. Passepied (Arr. A. Camden)" was released by George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward. With Suite in G minor: IX. Passepied (Arr. A. Camden) being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward's "HANDEL: Oboe Concertos Nos. 1- 3 / Suite in G Minor" album is number 23 out of 26. On top of that, Hong Kong appears to be the country where this track was created. Suite in G minor: IX. Passepied (Arr. A. Camden) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Suite in G minor: IX. Passepied (Arr. A. Camden) by George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rinaldo, HWV 7, Act II: Lascia ch'io pianga | George Frideric Handel, Aaron Hill, Giacomo Rossi, Yannick Nézet-Séguin, David DQ Lee | B♭ Major | 1 | 6B | 94 BPM | ||
Sonata II In G Minor: VIII. Borea (Alla Breve) (Muffat) | Georg Muffat, Masques, Olivier Fortin | F♯ Minor | 3 | 11A | 108 BPM | ||
Il prigioniero fortunato: Sinfonia: III. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 4 | 3B | 77 BPM | ||
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): III. Siciliana | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | A Minor | 0 | 8A | 77 BPM | ||
Concerto No 4 in D major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | D♭ Major | 3 | 3B | 132 BPM | ||
Concerto Grosso in G Minor, Op. 1, No. 12: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 3 | 7B | 128 BPM | ||
Recorder Sonata No. 12 in G Minor: I. Largo | Francesco Mancini, Dan Laurin, London Baroque | F♯ Minor | 1 | 11A | 91 BPM | ||
Concerto for 3 Keyboards in D Minor, BWV 1063: III. Allegro | Johann Sebastian Bach, Michael Behringer, Robert Hill, Christoph Anselm Noll, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B♭ Major | 4 | 6B | 129 BPM |