George Frideric Handel, Marcel Ponseele, Il Gardellino's 'Konzert für Oboe Nr. 3 g-Moll, HWV 287: IV. Allegro' came out on January 1, 2000. With Konzert für Oboe Nr. 3 g-Moll, HWV 287: IV. Allegro being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marcel Ponseele's "Marcello, A.: Oboe Concerto in D Minor / Telemann, G.P.: Oboe Concerto in F Minor / Handel, G.F.: Oboe Concerto No. 3" album is number 12 out of 18. In terms of popularity, Konzert für Oboe Nr. 3 g-Moll, HWV 287: IV. Allegro is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Konzert für Oboe Nr. 3 g-Moll, HWV 287: IV. Allegro by George Frideric Handel, Marcel Ponseele, Il Gardellino to be Moderato (at a moderate speed) because the track has a tempo of 119 テンポ, a half-time of 60テンポ, and a double-time of 238 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Armonico No. 2 in B-Flat Major: Allegro moderato | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 4 | 12B | 106 BPM | ||
Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | ||
Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 135 BPM | ||
Trio Sonata in G Minor: II. Allegro un poco | Johann Friedrich Fasch, Danubius Ensemble | C Minor | 2 | 5A | 122 BPM | ||
Sonata en quator: I. Gravement-vite | Louis-Antoine Dornel, Combattimento Consort Amsterdam, Han De Vries | E Minor | 1 | 9A | 95 BPM | ||
Recorder Sonata No. 11 in A Minor: I. Largo | Domenico Sarro, Dan Laurin, London Baroque | A♭ Minor | 0 | 1A | 75 BPM | ||
Sonata in D Major, No. 1: V. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 2 | 4B | 95 BPM | ||
Concerto Grosso in C Minor, Op. 1, No. 6: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Minor | 1 | 4A | 101 BPM | ||
Trio Sonata No. 2 in G Minor: IV. Menuets I & II | Giovanni Bononcini, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VII. Menuet I - II | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 0 | 6A | 107 BPM |