Erich Wolfgang Korngold, Eusebius Quartet, Beatrice Philips, Venetia Jollands, Hannah Shaw, Hannah Sloane's 'String Quartet No. 2 in E-Flat Major, Op. 26: IV. Waltz. Tempo di valse' came out on October 15, 2021. With this song being about 5 minutes long, at 5:20, "String Quartet No. 2 in E-Flat Major, Op. 26: IV. Waltz. Tempo di valse" by Erich Wolfgang Korngold, Eusebius Quartet, Beatrice Philips, Venetia Jollands, Hannah Shaw, Hannah Sloane is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Erich Wolfgang Korngold, Eusebius Quartet, Alasdair Beatson's "Korngold: Chamber Works" album is number 11 out of 11. On top of that, United Kingdom appears to be the country where this track was created. String Quartet No. 2 in E-Flat Major, Op. 26: IV. Waltz. Tempo di valse is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet No. 2 in E-Flat Major, Op. 26: IV. Waltz. Tempo di valse by Erich Wolfgang Korngold, Eusebius Quartet, Beatrice Philips, Venetia Jollands, Hannah Shaw, Hannah Sloane to be Lento (slowly) because the track has a tempo of 58 テンポ, a half-time of 29テンポ, and a double-time of 116 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Hary Janos Suite: Háry János Suite: V. Intermezzo | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | D Minor | 1 | 7A | 109 BPM | ||
Die tote Stadt: Act II: Da ihr befehlet, Königin (Pierrot Lied) | Erich Wolfgang Korngold, Erich Leinsdorf, René Kollo, Carol Neblett, Hermann Prey, Willi Brokmeier | D♭ Major | 3 | 3B | 84 BPM | ||
La Revue de cuisine: 2. Tango | Bohuslav Martinů, Saint Paul Chamber Orchestra, Christopher Hogwood | F Major | 0 | 7B | 90 BPM | ||
Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai | Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 64 BPM | ||
Tristan und Isolde - Concert Version: Liebestod | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 94 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM |