"Concertino Pastorale: II. Threnody. Lento espressivo" by John Ireland, Richard Hickox, City of London Sinfonia had its release date on June 1, 1995. This song is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The track order of this song in John Ireland, Richard Hickox, City of London Sinfonia's "Ireland: A Downland Suite, Contertino Pastorale, Two Symphonic Studies & Orchestral Poem" album is number 7 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Concertino Pastorale: II. Threnody. Lento espressivo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concertino Pastorale: II. Threnody. Lento espressivo by John Ireland, Richard Hickox, City of London Sinfonia to be Adagio (slowly with great expression) because the track has a tempo of 73 テンポ, a half-time of 36テンポ, and a double-time of 146 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Spirituals from "A Child of Our Time": I. Steal Away | Michael Tippett, Christopher Bell, National Youth Choir of Scotland, Royal Scottish National Orchestra | G Major | 2 | 9B | 84 BPM | ||
Herr, auf dich traue ich (Psalm 31) | Otto Nicolai, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 81 BPM | ||
The Waves are Sleepy | St. Petersburg Optina Pustyn Male Choir | A♭ Major | 1 | 4B | 138 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
Blessed be the God and Father | Samuel Wesley, Choir of Clare College, Cambridge, Matthew Jorysz, Graham Ross | E♭ Major | 1 | 5B | 126 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: VI. Agnus Dei | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 76 BPM | ||
A Downland Suite (completed by G. Bush): II. Elegy | Geoffrey Bush, John Ireland, Royal Ballet Sinfonia, Gavin Sutherland | E♭ Major | 1 | 5B | 99 BPM | ||
Messe solennelle, Op. 16: II. Gloria | Louis Vierne, Gloucester Cathedral Choir, Mark Lee, David Briggs | B♭ Major | 0 | 6B | 75 BPM | ||
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
Ye choirs of new Jerusalem | Charles Villiers Stanford, Choir of Clare College, Cambridge, Graham Ross, Matthew Jorysz | G Major | 3 | 9B | 126 BPM |