"Missa A la dolc' ombra: Ib. Christe" by Annibale Padovano, Cinquecento was released on May 3, 2024. With Missa A la dolc' ombra: Ib. Christe being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Padovano: Missa A la dolc' ombra & Missa Domine a lingua dolosa". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Missa A la dolc' ombra: Ib. Christe is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa A la dolc' ombra: Ib. Christe by Annibale Padovano, Cinquecento having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere: VI. Cor mundum crea in me Deus ; Ne proicias me a facie tua - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | B Minor | 0 | 10A | 80 BPM | ||
Graduale: III. Non timebit | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | C Minor | 2 | 5A | 83 BPM | ||
Nymphes des bois / Requiem aeternam, NJE 29.18 "La Déploration de Johannes Ockeghem": I. Nymphes des bois | Josquin des Prez, Owain Park, The Gesualdo Six | D Minor | 2 | 7A | 69 BPM | ||
Armide, LWV 71, Act II Scene 4: Ah ! Quelle erreur ! (une Naïade, Chœur) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Anouk Defontenay, Chœur de l'Opéra de Dijon | F Major | 1 | 7B | 139 BPM | ||
St. John Passion, BWV 245 / Part One: Chorus: "Jesu, deine Passion" | Johann Sebastian Bach, The Hilliard Ensemble | A♭ Major | 1 | 4B | 81 BPM | ||
Lay a Garland | Robert Lucas Pearsall, The Choir of Magdalen College, Oxford, Mark Williams | E♭ Major | 2 | 5B | 80 BPM | ||
Missa Prolationum: Kyrie II | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 76 BPM | ||
O gloriosa Domina (O gloriose Domine) | Andrea Gabrieli, I Cantori di San Marco, Marco Gemmani | A Major | 2 | 11B | 134 BPM | ||
Te Deum, H. 146: IV. Te per orbem terrarum | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Clément Debieuvre, François Joron, Jean-Christophe Lanièce | B♭ Major | 4 | 6B | 106 BPM | ||
Ardo, si, ma non t'amo | Orlande de Lassus, Harmonia Recorder Ensemble | C Major | 0 | 8B | 63 BPM |