"Symphonie fantastique, Op. 14: Symphonie fantastique, Op. 14: I. Rêveries - Passions" by Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding was released on August 26, 2016. Symphonie fantastique, Op. 14: Symphonie fantastique, Op. 14: I. Rêveries - Passions appears to be safe for all ages as it is not explicit. The song is number 10 out of 14 in Berlioz: Symphonie Fantastique - Rameau: Suite de Hippolyte et Aricie by Swedish Radio Symphony Orchestra, Daniel Harding. Based on our statistics, Symphonie fantastique, Op. 14: Symphonie fantastique, Op. 14: I. Rêveries - Passions's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonie fantastique, Op. 14: Symphonie fantastique, Op. 14: I. Rêveries - Passions by Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding is Allegro (fast, quick, and bright), since this song has a tempo of 145 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1 in E Minor, JB 1:105: I. Allegro vivo appassionato | Bedřich Smetana, Pavel Haas Quartet | E Minor | 1 | 9A | 84 BPM | ||
Ein deutsches Requiem, Op. 45: III. Herr, lehre doch mich, daß ein Ende mit mir haben muß (Baritone and Choir) | Johannes Brahms, Matthias Goerne, Swedish Radio Choir, Swedish Radio Symphony Orchestra, Daniel Harding | D Major | 2 | 10B | 171 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
The Damnation of Faust, Op. 24, H. 111, Scene 5: 'Ô pure émotion!' - Live | Hector Berlioz, Edward Gardner, London Philharmonic Orchestra, Christopher Purves, John Irvin | D♭ Major | 1 | 3B | 118 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Der Held | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 2 | 5B | 112 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Serenade for Strings in C major, Op. 48: IV. Finale (Tema russo): Andante - Allegro con spirito | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | C Major | 2 | 8B | 158 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: III. Scherzo (Pizzicato ostinato - Allegro) | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 156 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |