"Oboe Sonata, FP 185: I. Elegie: Paisiblement" by Francis Poulenc, Allan Vogel, Bryan Pezzone was released on January 1, 2000. With this song being about 5 minutes long, at 4:57, "Oboe Sonata, FP 185: I. Elegie: Paisiblement" by Francis Poulenc, Allan Vogel, Bryan Pezzone is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Saint-Saens, C.: Oboe Sonata in D Major / Poulenc, F.: Oboe Sonata / Britten, B.: 6 Metamorphoses After Ovid / Schumann, R.: 3 Romanzen". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Oboe Sonata, FP 185: I. Elegie: Paisiblement is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Oboe Sonata, FP 185: I. Elegie: Paisiblement by Francis Poulenc, Allan Vogel, Bryan Pezzone having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Morceau de concours | Gabriel Fauré, Ashildur Haraldsdottir, Love Derwinger | F Major | 0 | 7B | 171 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Passacaglia in G Minor (after G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) (arr. for violin and cello) | Anonymous, Johan Halvorsen, Julia Fischer, Daniel Müller-Schott | G Minor | 1 | 6A | 59 BPM | ||
Suite No. 3, Op. 19, No. 1 (version for 2 violins and string orchestra): III. Vision: Allegro moderato | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | E Minor | 2 | 9A | 110 BPM | ||
Oboe Concerto: 1. Moderato | Bohuslav Martinů, Heinz Holliger, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 81 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Le Tombeau de Couperin, M. 68: V. Menuet (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | G Major | 0 | 9B | 97 BPM | ||
Oboe Sonata, FP 185: Deploration: Tres calme | Francis Poulenc, Olivier Doise, Alexandre Tharaud | D Minor | 2 | 7A | 66 BPM |