"Piano Concerto No. 1 in B-Flat Minor, Op. 32: III. Allegro non tanto – Allegro patetico, come prima" by Xaver Scharwenka, Marc-André Hamelin, Michael Stern, BBC Scottish Symphony Orchestra was released on October 1, 2005. Piano Concerto No. 1 in B-Flat Minor, Op. 32: III. Allegro non tanto – Allegro patetico, come prima appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Rubinstein: Piano Concerto No. 4 – Scharwenka: Piano Concerto No. 1 (Hyperion Romantic Piano Concerto 38)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Piano Concerto No. 1 in B-Flat Minor, Op. 32: III. Allegro non tanto – Allegro patetico, come prima is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 1 in B-Flat Minor, Op. 32: III. Allegro non tanto – Allegro patetico, come prima by Xaver Scharwenka, Marc-André Hamelin, Michael Stern, BBC Scottish Symphony Orchestra having a テンポ of 102 with a half-time of 51 テンポ and a double-time of 204 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Waltzes, Op. 28: No. 5, Lento – Più animato | Xaver Scharwenka, Seta Tanyel | A Major | 0 | 11B | 66 BPM | ||
Iberia, T. 105, Book 2: III. Triana | Isaac Albéniz, Peter Donohoe | F♯ Major | 0 | 2B | 66 BPM | ||
Album Leaf for Vazlaw Ulwer in E-Flat Minor, JB 1:23 | Bedřich Smetana, Jitka Čechová | G Major | 3 | 9B | 63 BPM | ||
Concert Étude, Op. 35: No. 2, Automne | Máire Carroll | D♭ Major | 1 | 3B | 69 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Act 1 "The Spell": No. 6, Waltz (Arr. Rachmaninov for Piano 4-Hands) | Pyotr Ilyich Tchaikovsky, Alexandre Tharaud, Alexander Melnikov | D Minor | 1 | 7A | 90 BPM | ||
Lied ohne Worte Op.62-6 "Fruhlingslied" | Felix Mendelssohn, Kazune Shimizu | E Major | 0 | 12B | 102 BPM | ||
Octubre Rosa | Cecilia Foj | F Minor | 2 | 4A | 79 BPM | ||
24 Preludes: No. 16 in B-Flat Minor | Eduard Bagdasarian, Mikael Ayrapetyan | G Major | 1 | 9B | 66 BPM | ||
Premières valses: IV. Valse noble | Reynaldo Hahn, Pavel Kolesnikov | B Major | 2 | 1B | 133 BPM | ||
Piano Quartet in F Major, Op. 37: III. Allegro vivace | Xaver Scharwenka, Seta Tanyel, Levon Chilingirian, Ivo-Jan Van Der Werff, Garbis Atmacayan | D♭ Minor | 1 | 12A | 129 BPM |