Francesca Caccini, Riccardo Primitivo, Alessandra Borin, Romabarocca Ensemble, Lorenzo Tozzi made "La liberazione di Ruggiero dall'isola d'Alcina, Scene 1: Quando Amor l'arco vuol tendere" available on November 17, 2017. With this song being about 5 minutes long, at 5:03, "La liberazione di Ruggiero dall'isola d'Alcina, Scene 1: Quando Amor l'arco vuol tendere" by Francesca Caccini, Riccardo Primitivo, Alessandra Borin, Romabarocca Ensemble, Lorenzo Tozzi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 32 in Caccini: La liberazione di Ruggiero dall' isola di Alcina by Francesca Caccini, Lorenzo Tozzi, Riccardo Primitivo, Marcella Foranna, Alessandra Borin. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, La liberazione di Ruggiero dall'isola d'Alcina, Scene 1: Quando Amor l'arco vuol tendere's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of La liberazione di Ruggiero dall'isola d'Alcina, Scene 1: Quando Amor l'arco vuol tendere by Francesca Caccini, Riccardo Primitivo, Alessandra Borin, Romabarocca Ensemble, Lorenzo Tozzi is Allegro (fast, quick, and bright), since this song has a tempo of 150 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas, Z.626, Act II Scene 1, The Cave: But Ere We This Perform (Two Witches) | Henry Purcell, Les Argonautes, Jonas Descotte, Ana Vieira Leite, Julie Roset | F♯ Major | 1 | 2B | 84 BPM | ||
Auferstehungshistorie, SWV 50: (Introitus) Die Auferstehung unseres Herren Jesu Christi | Heinrich Schütz, Ensemble Polyharmonique | D Minor | 3 | 7A | 134 BPM | ||
Who made thee, Hob, forsake the Plough? | William Byrd, Dorothee Mields, Magdalene Harer, Boreas Quartett Bremen, Hathor Consort | A♭ Major | 2 | 4B | 101 BPM | ||
Pasión: Vere Languóres. Alto Solo. | Anónimo, Ensamble Moxos, Raquel Maldonado | D♭ Minor | 4 | 12A | 89 BPM | ||
Marini: Scherzi e canzonette, Op. 5: La vecchia innamorata (Instrumental Version) | Biagio Marini, Il Pomo D'oro | F Major | 2 | 7B | 103 BPM | ||
La liberazione di Ruggiero dall'isola d'Alcina, Scene 1: Quando Amor l'arco vuol tendere | Francesca Caccini, Riccardo Primitivo, Alessandra Borin, Romabarocca Ensemble, Lorenzo Tozzi | F Major | 1 | 7B | 150 BPM | ||
Rossi: L'Orfeo, Act 2: "A l'imperio d'Amore" (Chorus, Eurydice) | Luigi Rossi, Christina Pluhar, Véronique Gens | C Major | 2 | 8B | 108 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 1. Dies irae | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | D Major | 1 | 10B | 142 BPM | ||
Beatus vir: IV. Peccator videbit | Domenico Zipoli, Florilegium, Bolivian Soloists | E Major | 0 | 12B | 122 BPM | ||
Dominus illuminatio mea: Sinfonia | Franz Tunder, Peter Barany, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A Minor | 0 | 8A | 79 BPM |