"Nocturnes, Op. 27: No. 1, Larghetto in C-Sharp Minor" by Frédéric Chopin, Maria Paloma was released on May 21, 2022. With this song being about 5 minutes long, at 5:07, "Nocturnes, Op. 27: No. 1, Larghetto in C-Sharp Minor" by Frédéric Chopin, Maria Paloma is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 24 in the song's album "Solo Piano by Chopin". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Sweden. The popularity of Nocturnes, Op. 27: No. 1, Larghetto in C-Sharp Minor is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nocturnes, Op. 27: No. 1, Larghetto in C-Sharp Minor by Frédéric Chopin, Maria Paloma having a テンポ of 180 with a half-time of 90 テンポ and a double-time of 360 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Minuet in G Minor, Suite No. 1 | Le grand orchestre classique, Larry Dalton | G Minor | 1 | 6A | 71 BPM | ||
Appalachian Spring - 1945 Suite: 1. Very slowly | Aaron Copland, London Symphony Orchestra, Antal Doráti | A Major | 1 | 11B | 84 BPM | ||
Mazurka No.49 In A minor Op.68 No.2 | Frédéric Chopin, Vladimir Ashkenazy | E Minor | 0 | 9A | 99 BPM | ||
Gymnopédies: II. Lent et triste | Erik Satie, Martin Jacoby | D Minor | 0 | 7A | 64 BPM | ||
Mazurka In F Minor, Op. Posth. 68: No. 4 Andantino | Frédéric Chopin, Maurizio Pollini | F Minor | 0 | 4A | 72 BPM | ||
3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | D♭ Minor | 0 | 12A | 128 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
Hendel - Largo | Royal Wedding Orchestra | G Major | 1 | 9B | 69 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Daniel Barenboim, Jacqueline du Pré, Philadelphia Orchestra | B♭ Major | 0 | 6B | 96 BPM |