Charles Roland Berry's 'Serse, HWV 40: Ombra mai fu' came out on August 12, 2021. The duration of Serse, HWV 40: Ombra mai fu is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Serse, HWV 40: Ombra mai fu's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Pleasant Piano Symphonies". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, Serse, HWV 40: Ombra mai fu is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Serse, HWV 40: Ombra mai fu by Charles Roland Berry having a テンポ of 90 with a half-time of 45 テンポ and a double-time of 180 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM | ||
Dvorák: Legends for Orchestra, Op. 59, No. 6 | Antonín Dvořák, San Francisco Symphony, Michael Tilson Thomas | D♭ Major | 0 | 3B | 77 BPM | ||
Lieder ohne Worte, Op. 62: 6. Allegretto grazioso "Frühlingslied" | Felix Mendelssohn, András Schiff | A Major | 0 | 11B | 68 BPM | ||
Sonata No. 15 in C Major, II. Andante | Maria João Pires | G Major | 1 | 9B | 108 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Barber: Adagio for Strings, Op. 11 | Samuel Barber, Eugene Ormandy, Philadelphia Orchestra | B♭ Minor | 1 | 3A | 80 BPM | ||
Shared Experience | Charles Roland Berry, Allison Pohl, Ellinor String Quartet, Erica Convery, Brendan Touhy, Jonah Spool, Craig Grayson | F Minor | 3 | 4A | 81 BPM | ||
Cavalleria rusticana: Act I: Intermezzo sinfonico | Pietro Mascagni, James Levine, National Philharmonic Orchestra | F Major | 1 | 7B | 87 BPM | ||
La traviata, Act I: Prelude | Giuseppe Verdi, Sofia Symphony Orchestra, Vassil Stefanov | B Major | 0 | 1B | 113 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM |