"Barber: Adagio for Strings, Op. 11" by Samuel Barber, Eugene Ormandy, Philadelphia Orchestra was released on 1999. Barber: Adagio for Strings, Op. 11 is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. The song is number 1 out of 7 in Barber:Adagio /Copland: El Salon Mexico, Four Episodes from Rodeo & Appalachian Spring. by Aaron Copland, Eugene Ormandy/Philadelphia Orchestra/Sir Neville Marriner/Minnesota Orchestra, Sir Neville Marriner, Minnesota Orchestra, Philadelphia Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Barber: Adagio for Strings, Op. 11 is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Barber: Adagio for Strings, Op. 11 by Samuel Barber, Eugene Ormandy, Philadelphia Orchestra is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Truman Sleeps - From “The Truman Show” / Short Version | Philip Glass, Valentina Lisitsa | A♭ Major | 0 | 4B | 95 BPM | ||
Rhapsody On A Theme Of Paganini, Op.43: Variation 24. A tempo un poco meno mosso | Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin | B♭ Major | 3 | 6B | 111 BPM | ||
Bagatelle No. 25 in a Minor, WoO 59 : "Für Elise" | Rik | D♭ Major | 0 | 3B | 64 BPM | ||
Movement 2 - The Love | Nigel Hess, Lang Lang, London Chamber Orchestra, Christopher Warren-Green | A♭ Major | 1 | 4B | 66 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante (Excerpt) | Felix Mendelssohn, Yehudi Menuhin, Efrem Kurtz, Philharmonia Orchestra | C Major | 1 | 8B | 36 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Après un rêve, Op. 7, No. 1 (Arr. for Cello and Piano) | Gabriel Fauré, Sheku Kanneh-Mason, Isata Kanneh-Mason | G Minor | 0 | 6A | 112 BPM | ||
Adagio for Organ & Strings G Minor | Tomaso Albinoni, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | C Major | 4 | 8B | 115 BPM | ||
Cello Concerto, Op. 22: II. Andante sostenuto | Samuel Barber, Christian Poltéra, Bergen Philharmonic Orchestra, Andrew Litton | A Major | 0 | 11B | 90 BPM |