"The Merry Widow: Overture" by Franz Lehár, National Philharmonic Orchestra, Richard Bonynge was released on January 1, 1978. Since The Merry Widow: Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Lehár, Joan Sutherland, Valerie Masterson, Regina Resnik, Werner Krenn, John Brecknock, National Philharmonic Orchestra, Richard Bonynge's "Léhar - The Merry Widow - Highlights" album is number 1 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Merry Widow: Overture's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Merry Widow: Overture by Franz Lehár, National Philharmonic Orchestra, Richard Bonynge to be Allegro (fast, quick, and bright) because the track has a tempo of 130 テンポ, a half-time of 65テンポ, and a double-time of 260 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suppé: Leichte Kavallerie | Franz von Suppé, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 138 BPM | ||
Vanity Fair | Anthony Collins, RTE Concert Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 124 BPM | ||
La Source / Act 1: Pas de la guzla | Ludwig Minkus, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Minor | 0 | 2A | 71 BPM | ||
Giselle / Act 2: Apparition de Myrthe et évocation magique | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 187 BPM | ||
Canon in D Major for Strings and Continuo | City of London Sinfonia, Andrew Watkinson | D Major | 2 | 10B | 111 BPM | ||
La Source / Act 3, Scene 2: 34. Scène et danse | Ludwig Minkus, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 1 | 10B | 105 BPM | ||
Gold And Silver Waltz (Gold und Silber/L'or et l'argent) | Franz Lehár, Strauss Festival Orchestra, Peter Guth | C Major | 2 | 8B | 175 BPM | ||
Barwick Green | Arthur Wood, Vernon Handley, BBC Concert Orchestra, Martin Loveday | G Major | 2 | 9B | 126 BPM | ||
Short Suite: Aria | David Lyon, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 0 | 9B | 75 BPM | ||
Two Lyric Pieces Op. 68: II. At The Cradle: Allegretto con moto | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 0 | 10B | 77 BPM |