Ludwig Minkus, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge's 'La Source / Act 3, Scene 2: 34. Scène et danse' came out on May 24, 1990. La Source / Act 3, Scene 2: 34. Scène et danse is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. The track order of this song in Richard Bonynge, Orchestra of the Royal Opera House, Covent Garden's "Minkus-Delibes: La Source / Drigo: La Flûte magique" album is number 34 out of 48. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, La Source / Act 3, Scene 2: 34. Scène et danse is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Source / Act 3, Scene 2: 34. Scène et danse by Ludwig Minkus, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge to be Andante (at a walking pace) because the track has a tempo of 105 テンポ, a half-time of 52テンポ, and a double-time of 210 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Summer (L'Estate) Op.8 No.2 G Minor: Allegro Non Molto | Baroque Festival Orchestra, Alberto Lizzio | G Minor | 0 | 6A | 176 BPM | ||
Don Quixote: Act IV: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | E♭ Major | 1 | 5B | 106 BPM | ||
Le Corsaire: Act II - "4. Grand Pas: Variation: Ali" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | A♭ Major | 1 | 4B | 121 BPM | ||
Emperor Waltz Op. 437 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 186 BPM | ||
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King | Edvard Grieg, Esa-Pekka Salonen | B Minor | 2 | 10A | 104 BPM | ||
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Allegretto: Women's Variation | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | E♭ Major | 1 | 5B | 89 BPM | ||
Don Quixote: Act I: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | B Minor | 2 | 10A | 141 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Ancient Airs And Dances, Suite No.3, P. 172: 3. Siciliana | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | C Minor | 2 | 5A | 109 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM |