Don’t Look Now

Kate Lindsey, Baptiste Trotignon
Thousands of Miles
3:01 2017年5月1日
テンポ
88
キー
G Major
キャメロットミュージックキー
9B

リンクを埋め込む

共有

Don’t Look Now - Kate Lindsey, Baptiste Trotignon 情報

音響性
99%
ダンサビリティ
47%
エネルギー
6%
手段性
0%
活気
12%
ラウドネス
65%
話し言葉
4%
価数
16%
人気
ラウドネス
-20.898 dB

まとめ

"Don’t Look Now" by Kate Lindsey, Baptiste Trotignon was released on May 1, 2017. The duration of Don’t Look Now is about 3 minutes long, at 3:01. Based on our data, "Don’t Look Now" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Thousands of Miles". In this album, this song's track order is #7. Don’t Look Now is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Don’t Look Now テンポ

With Don’t Look Now by Kate Lindsey, Baptiste Trotignon having a テンポ of 88 with a half-time of 44 テンポ and a double-time of 176 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

Don’t Look Now キー

This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Hubička, JB 1:104 Hubička, JB 1:104 "The Kiss": Vendulka's Lullaby, Hajej, Můj Andílku "Hush-a-Bye, My Angel"Opera Australia Orchestra, Nicole CarA Minor18A68 BPM
4 Lieder, Op. 27, TrV 170: No. 4, Morgen! (Version for Soprano & Orchestra) by Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach4 Lieder, Op. 27, TrV 170: No. 4, Morgen! (Version for Soprano & Orchestra)Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph EschenbachG Major09B82 BPM
Folk Songs: No. 2, I Wonder as I Wander by Luciano Berio, Elina Garanca, Berlin Music EnsembleFolk Songs: No. 2, I Wonder as I WanderLuciano Berio, Elina Garanca, Berlin Music EnsembleA♭ Major04B81 BPM
Was mir behagt, BWV 208: Schafe können sicher weiden (Arie) by Johann Sebastian Bach, Núria Rial, Julia SchröderWas mir behagt, BWV 208: Schafe können sicher weiden (Arie)Johann Sebastian Bach, Núria Rial, Julia SchröderA Major111B69 BPM
Misatango, Misa a Buenos Aires: VII. Et incarnatus est by MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto PereyraMisatango, Misa a Buenos Aires: VII. Et incarnatus estMartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto PereyraF Minor24A86 BPM
Dido and Aeneas, Z. 626, Act III: When I am laid by Henry Purcell, La Nuova Musica, David Bates, Fleur BarronDido and Aeneas, Z. 626, Act III: When I am laidHenry Purcell, La Nuova Musica, David Bates, Fleur BarronF♯ Minor211A94 BPM
Carmina Burana / 3. Cour d'amours: Carmina Burana / 3. Cour d'amours: "In trutina"Carl Orff, Barbara Bonney, Wiener Philharmoniker, André PrevinB♭ Major26B137 BPM
Duparc: L'Invitation au voyage by Henri Duparc, Elsa DreisigDuparc: L'Invitation au voyageHenri Duparc, Elsa DreisigC Minor15A126 BPM
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) by Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian WeigleDie tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul)Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian WeigleB♭ Major16B83 BPM
Sosarme, HWV 30: Act II, Duetto, Sosarme, HWV 30: Act II, Duetto, "Per le porte del tormento"George Frideric Handel, Bejun Mehta, Rosemary Joshua, René JacobsE♭ Major25B84 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records