Jean-Baptiste Lully, La Simphonie Du Marais, Hugo Reyne, Renaud Tripathi, Francois-Nicolas Geslot made "Le Bourgeois Gentilhomme: 1er menuet" available on January 1, 2002. The duration of Le Bourgeois Gentilhomme: 1er menuet is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Le Bourgeois Gentilhomme: 1er menuet's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully, Hugo Reyne's "Lully: Le Bourgeois Gentilhomme" album is number 17 out of 63. On top of that, France appears to be the country where this track was created. Le Bourgeois Gentilhomme: 1er menuet is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Le Bourgeois Gentilhomme: 1er menuet by Jean-Baptiste Lully, La Simphonie Du Marais, Hugo Reyne, Renaud Tripathi, Francois-Nicolas Geslot to be Adagio (slowly with great expression) because the track has a tempo of 69 テンポ, a half-time of 34テンポ, and a double-time of 138 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
Alceste, LWV 50: Menuet (1674) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | B♭ Major | 3 | 6B | 187 BPM | ||
Castor et Pollux, RCT 32, Acte I, Scène III: Prélude - Air accompagné "Tristes apprêts" | Jean-Philippe Rameau, Teodor Currentzis | D Major | 0 | 10B | 86 BPM | ||
Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Rondeau - Duo et choeur "Forêts paisibles" | Jean-Philippe Rameau, Teodor Currentzis | F♯ Minor | 3 | 11A | 98 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Les Indes galantes: Air des Sauvages | Jean-Philippe Rameau, La Chapelle Royale, Philippe Herreweghe | F♯ Minor | 2 | 11A | 85 BPM | ||
Nisi Dominus aedificaverit domum | Antonio Vivaldi, Lynne McMurtry, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 108 BPM | ||
Vivaldi: Concerto for Two Trumpets in C Major, RV 537: II. Largo | Antonio Vivaldi, Sir Neville Marriner, Bernard Soustrot, Maurice André, Academy of St. Martin in the Fields | C Major | 0 | 8B | 99 BPM | ||
Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 168 BPM | ||
Ciaccona (I) | L'Arpeggiata, Christina Pluhar | C Major | 2 | 8B | 101 BPM |