"Symphony No.7 in A, Op.92: 3. Presto - Assai meno presto" by Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti was released on January 1, 2000. Since Symphony No.7 in A, Op.92: 3. Presto - Assai meno presto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 7 in Beethoven: Symphony No.7 / 3 Overtures by Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti. Symphony No.7 in A, Op.92: 3. Presto - Assai meno presto is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No.7 in A, Op.92: 3. Presto - Assai meno presto by Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti is Adagio (slowly with great expression), since this song has a tempo of 67 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ride of the Valkyries (The Watchmen) | London Symphony Orchestra | G Major | 4 | 9B | 88 BPM | ||
Air on a G String | Johann Sebastian Bach, HAUSER, Robert Ziegler, London Symphony Orchestra | D Major | 3 | 10B | 74 BPM | ||
Carmen Fantasy, Op. 25 (after G. Bizet) | Pablo de Sarasate, Ruggiero Ricci, London Symphony Orchestra, Pierino Gamba | E Minor | 2 | 9A | 108 BPM | ||
Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
Piano Quintet in E-Flat Major, Op. 44: IV. Finale (Allegro, ma non troppo) | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | E♭ Major | 2 | 5B | 133 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Haydn: Piano Concerto No. 11 in D Major, Hob. XVIII:11: III. Rondo all'Ungarese (Cadenza by Tharaud) | Franz Joseph Haydn, Alexandre Tharaud, Bernard Labadie, Les Violons du Roy | D Major | 2 | 10B | 83 BPM | ||
Symphony No. 2: III. Adagio | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | A Major | 0 | 11B | 70 BPM | ||
Orfeo ed Euridice: Overtura | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | G Major | 2 | 9B | 76 BPM | ||
Appalachian Spring - 1945 Suite: 1. Very slowly | Aaron Copland, London Symphony Orchestra, Antal Doráti | A Major | 1 | 11B | 84 BPM |