Jacques Offenbach, Marc Minkowski, Yann Beuron, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon made "Offenbach: Orphée aux enfers, Act 1: "Ah! c'est ainsi!" (Orphée, Eurydice)" available on 1998. With this song being about 5 minutes long, at 5:21, "Offenbach: Orphée aux enfers, Act 1: "Ah! c'est ainsi!" (Orphée, Eurydice)" by Jacques Offenbach, Marc Minkowski, Yann Beuron, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 53 in the song's album "Offenbach: Orphee aux enfers". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Offenbach: Orphée aux enfers, Act 1: "Ah! c'est ainsi!" (Orphée, Eurydice)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Offenbach: Orphée aux enfers, Act 1: "Ah! c'est ainsi!" (Orphée, Eurydice) by Jacques Offenbach, Marc Minkowski, Yann Beuron, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon having a テンポ of 123 with a half-time of 62 テンポ and a double-time of 246 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
Leise flehen meine Lieder, D. 957 | Slovak Philharmonic, Bohdan Warchal | D Major | 1 | 10B | 123 BPM | ||
Les contes d'Hoffmann, Op. 67: Belle nuit, ô nuit d'amour "Barcarolle" | Jacques Offenbach, Andre Kostelanetz, New York Philharmonic | D Major | 2 | 10B | 150 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Hungarian Dance No. 1 in G Minor: Allegro molto | Johannes Brahms, London Festival Orchestra, Alfred Scholz | G Minor | 1 | 6A | 91 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM | ||
El amor brujo: Ritual Fire Dance | Manuel de Falla, Fritz Reiner, Chicago Symphony Orchestra | G Major | 1 | 9B | 134 BPM | ||
Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A Minor | 3 | 8A | 112 BPM |