"Les contes d'Hoffmann, Op. 67: Belle nuit, ô nuit d'amour "Barcarolle"" by Jacques Offenbach, Andre Kostelanetz, New York Philharmonic had its release date on November 2, 1989. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Les contes d'Hoffmann, Op. 67: Belle nuit, ô nuit d'amour "Barcarolle"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Opera Without Words". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United States. Based on our statistics, Les contes d'Hoffmann, Op. 67: Belle nuit, ô nuit d'amour "Barcarolle"'s popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les contes d'Hoffmann, Op. 67: Belle nuit, ô nuit d'amour "Barcarolle" by Jacques Offenbach, Andre Kostelanetz, New York Philharmonic having a テンポ of 150 with a half-time of 75 テンポ and a double-time of 300 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rachmaninoff: Rhapsody On A Theme Of Paganini | John Barry | D♭ Major | 1 | 3B | 128 BPM | ||
La bohème: O soave fanciulla | Giacomo Puccini, Andre Kostelanetz, New York Philharmonic | G Major | 1 | 9B | 63 BPM | ||
Monti Czardas | Katica Illényi | D Major | 3 | 10B | 127 BPM | ||
Dream Of Olwen | London Festival Symphony Orchestra | G Major | 1 | 9B | 135 BPM | ||
Piano Concerto N°21 "Elvira Madigan" in C major, K 467: II. Andante | The London Symphony Orchestra - Philip Fowke | F Major | 1 | 7B | 178 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Rigoletto, Act IV: La donna e mobile (arr. for orchestra) | Anonymous , Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov | B♭ Major | 1 | 6B | 155 BPM | ||
Water Music: Suite No. 1 in F Major, HWV 348, VII. Air | George Frideric Handel, Pierre Boulez, New York Philharmonic | F Major | 1 | 7B | 83 BPM | ||
An der schönen, blauen Donau - Walzer, Op.314 | Wiener Johann Strauss Orchester, Willi Boskovsky | D Major | 2 | 10B | 104 BPM |