"In Paradisum" by Ghislaine Reece-Trapp, Anna Lapwood was released on September 29, 2023. With this song being about 5 minutes long, at 4:46, "In Paradisum" by Ghislaine Reece-Trapp, Anna Lapwood is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Anna Lapwood's "Luna" album is number 9 out of 15. On top of that, United States appears to be the country where this track was created. In Paradisum is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of In Paradisum by Ghislaine Reece-Trapp, Anna Lapwood to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ex Ore Innocentium | John Ireland, Anna Lapwood, The Pembroke College Girls’ Choir, Owen Saldanha | G Minor | 0 | 6A | 73 BPM | ||
Romance sans Paroles - Bonus Track | Felix Godefroid, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
Schubert: Waltz in G-Flat Major, D. Anh. I/14, "Kupelwieser Walzer" | Franz Schubert, Mariam Batsashvili | D Major | 1 | 10B | 126 BPM | ||
Piano Concerto No. 25 in C Major, K. 503: Piano Concerto No. 25 in C Major, K. 503/II. Andante | Wolfgang Amadeus Mozart, Martin Fröst, Lucas Debargue, Swedish Chamber Orchestra | D♭ Major | 4 | 3B | 136 BPM | ||
24 Preludes for Violin and Piano, Op. 46: No. 15 Adagio sognando | Lera Auerbach, Mari Samuelsen, Julien Quentin | C Minor | 5 | 5A | 122 BPM | ||
Bloch: From Jewish Life: II. Supplication | Ernest Bloch, Edgar Moreau, Michael Sanderling, Luzerner Sinfonieorchester | C Major | 0 | 8B | 86 BPM | ||
Clarinet Concerto in A Major, K. 622: III. Rondo. Allegro | Wolfgang Amadeus Mozart, Martin Fröst, Swedish Chamber Orchestra | A Major | 1 | 11B | 138 BPM | ||
Violin Concerto in D Major: II. Adagio | Joseph Bologne Saint-Georges, Zefira Valova, Il Pomo D'oro | E Major | 0 | 12B | 71 BPM | ||
Nisi Dominus, RV 608 - Arr. Cello: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Tchaikovsky Swan Lake Variation (Arr. for Violin & Piano after Swan Lake, Op. 20, No. 10 by Ketan & Vivan Bhatti) | Pyotr Ilyich Tchaikovsky, Esther Abrami, Iyad Sughayer | C Minor | 1 | 5A | 89 BPM |